Virtual Reality Market in Consumer, Business, and Government Verticals released by Mind Commerce

Virtual Reality Market Outlook

Virtual Reality Market Outlook

Virtual Reality Market Sizing and Analysis

Virtual Reality Market Sizing and Analysis

Sees emphasis in Enterprise, Industrial, and Government Segments leading to High Growth as VR becomes a Significant Tool to Solve Industry-specific Problems

Mind Commerce sees Simulations and Training Leading the Way, but also Many Promising Industry-specific Solutions such as VR in Therapeutic Healthcare Modalities”

— Mind Commerce

SEATTLE, WASHINGTON, UNITED STATES, July 22, 2019 /EINPresswire.com/ — While the consumer consumer market is moving slower than anticipated, VR in business and government sectors is rapidly advancing, especially in certain industry verticals and use cases. Enterprise virtual reality applications in USA market will surpass $5 billion by 2024. Government use of virtual reality in support of USA smart cities will reach $330M by 2024.

In terms of virtual reality market applications in healthcare, VR is an emerging tool for diagnosing and treating neurological and psychiatric disorders. From Alzheimer’s disease to PTSD, virtual reality is a technology that is emerging as a tool to help healthcare practitioners’ ability to better support patient quality of life, and in some cases, aid in rehabilitation.

For the consumer virtual reality market, we see entertainment and lifestyle enhancements leading the way with the former including VR enhanced gaming and the latter including a plethora of new apps such as virtual location experiences in which groups of people get together virtually in the cyber-world.

For enterprise and industrial virtual reality market segments, Mind Commerce sees simulations and training leading the way. We see everything from situational training (such as Verizon using Striver to train its employees how to better deal with robberies) to more traditional expectations such as VR enhanced simulations for flight and vehicle training.

Virtual Reality Market by Segment (Consumer, Enterprise, Industrial, Government), Equipment (Hardware, Software, Components) Applications and Solutions 2019 – 2024, provides an in-depth assessment of the virtual reality market including analysis of VR ecosystem and role of value chain partners, evaluation of recent VR patent filings and intellectual property, and analysis of current price metrics VR devices, apps, and content.

This virtual reality market report also provides an assessment of key VR companies and solutions with SWOT analysis, analysis of emerging business models and evolution of VR monetization, analysis of VR component market: devices, software, hardware, platforms. The report also presents key VR growth drivers, market challenges, and emerging opportunities.

About Mind Commerce

Mind Commerce is an information services company that provides research and strategic analysis focused on the Information and Communications Technology (ICT) industry. Our ICT reports provide key trends, projections, and in-depth analysis for infrastructure, platforms, devices, applications, services, emerging business models and opportunities.

We focus on key emerging and disintermediating technology areas for service providers, technology providers, developers (communications, applications, content, and commerce), systems integrators and consultants, government organizations and NGOs, and the financial community. Visit us at https://mindcommerce.com/

MEDIA: We welcome discussions about our research in support of your news article, blog, or professional industry portal.

Contact us via email at Contact@MindCommerce.com or Call: +1 206 395 9205

Dawn Stokes
Mind Commerce
+1 206-395-9205
email us here
Visit us on social media:
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About Mind Commerce


Source: EIN Presswire

168 Film Festival Awards Nominations 2019

Poster 2019 Rebirth

Poster 2019 Rebirth

Corey Oliver Points the Way to 168 Film Festival 2017

Corey Oliver Points the Way to 168 Film Festival Photo by W Kidston 2017

Winner Best Film Award - 168 Film Festival 2018

“Fhedi” Winner Best Film 2018 with Charles Shaughnessy, Hala Saad, John David Ware, Lou Ferrigno Jr. (L-R)

Leaders Are From Down Under and Across the Pond

I challenged myself this year not to shy away from the spiritual aspects of the story. To keep it true to the Word while still producing a mainstream film.”

— Aaron Kamp

BURBANK, CALIFORNIA, UNITED STATES, July 22, 2019 /EINPresswire.com/ — The 168 Film Festival exhibition is Saturday & Sunday, August 24th & 25th at the AMC Burbank 16 Cinema, 125 E Palm Ave Burbank, CA. Tickets are available at https://168film.com/tickets and the 2019 Festival Schedule is available at https://www.168film.com/Schedule

The 17th Annual Bible-based 168 Film Project competition award nomination leaders are from down under and across the pond. Leading the pack for the Rebirth-themed season is Aaron Kamp, a veteran, multi-award-winning filmmaker.

His “True Reflection” shines with fifteen nominations. It’s about an addiction support group with mystical ties to healing power. “Reflection” is based on a fiery verse from the last book of the Bible, Revelation 3:17-18 that counsels the poor, blind, and naked to buy gold refined by fire.

“I challenged myself this year not to shy away from the spiritual aspects of the story. To keep it true to the Word while still producing a mainstream film. I am proud to have it recognized in so many categories,” said Kamp.

“True Reflection” is tied (15 noms) with newcomer, Marcus Wood, whose “The Other Way” yields nothing to the veteran. Set in an English ocean town, “Way” tells a tale of a girl’s urge for revenge and the higher path of forgiveness. The canvas for the story is Jonah 2:1-6 when Jonah sinned willfully against God and later prayed for forgiveness from deep inside the belly of a great whale.

Tamara Johnson, “F8TH” (Faith) nabbed 14 nominations, including two for the film’s director and lead actor, Glenn Plummer (Gray's Anatomy, CSI, Sons of Anarchy, Speed, Day After Tomorrow).
CC Weske’s “Out of the Quiet” also had 14 nominations for her near-death to rebirth tale of a troubled girl and her therapist, based on John 3:16-17.

Two-time Best Film Winner Christopher Wiegand’s “The Antique Shop” tells the tale of a young woman who inherits an antique shop along with its mysterious secrets. “Shop” is tied at 11 nominations with Ty Orr and Watersprings Church’s post-apocalyptic “Awakening.”

Dave Rajkumar’s “Heart of a Child” played well, getting nine nominations for the story of a PTSD veteran, who must be spiritually reborn as a child to receive healing.

Amy Sutherland got 8 nominations for “Amelia” about a troubled woman lured by a wise fisherman.

Five nominations each went to Stephanie Hylton’s “So Much More,” a wife wrestles with God, and Serena Travis’ “Happy ReBirthday,” about a young wife who discovers true joy on her birthday.

Deborah E. Brown got four nominations for “Nato Podalico” (Breech Born), about a rebellious teen who dives feet first into the family’s tour guide business. Brown produces from Italy. Her legendary Best Film of 2006, “Cinque Minuti” (Five Minutes) has been viewed over 15 million times.

Alicia Schudt-Schechter & Yvette Sams got four nominations for “Sunday School,” about a cantankerous widower who is forced to teach kids in Sunday School.

Three nominations each went to Marjorie Burgos’ “Luzy,” about an artist fighting her fears and Justin Manntai’s “D.O.G,” about love, life, and “fetch.”

Nominated for Best Documentary went to veteran filmmakers, Gwen McGee for “The Ghetto and The Gospel,” about a gangster rapper in the inner city and Ashley Sanchez and Mark Baird’s “AIM For Independent Living,” which shows how disabled individuals can live on their own.

One nomination apiece went to Nina May for “Elevator Pitch,” Tracy Brantlinger for spousal reconciliation tale “Call My Name,” Ian Eyre for In-law shocker “Don't Talk About Jesus!” and Bobby Bliatout & Khetphet Phagnasay for a tale of hope in a brutal labor camp, “NAI-KHOO” (Teacher).

Best Student Film nominations went to zombie apocalypse tale “Goat“ by Ariel Gade, to second-chance-at-life story “Rewind” by Cameron Haddad and to shock and forgiveness tale “The Potter” by Aser Seifu (Ethiopia).

Best Open Film nominees included escape documentary “Saved: Escape from Kim’s Regime” by Thea Haavet, marital drama “Unfaithful” by Jennifer Taylor, cat-and-mouse tale “Drive” by Julitta Pourciau, man-ponders-military-service story “SALUTE” by Anthony Hackett and “The Father” by Evan Atwood, about a menacing stranger, a gold watch and no memories of the past.

NOMINATIONS BY FILM

“True Reflection” by Aaron Kamp (15) Best Speed Film, International Film, Director, Actor, Actress, Supporting Actor, s Screenplay, Scriptural Integration, Evangelista Award (Best Tool for the Gospel), Cinematography, Editor, Sound Design, Original Score, Makeup & Hair.

“The Other Way” by Marcus Wood (15) Best Speed Film, International Film, Director, Actor, Actress, Supporting Actor, Screenplay, Scriptural Integration, Evangelista Award, Cinematography, Editor, Production Design, Sound Design, Original Score, Makeup & Hair.

“Out of the Quiet” by CC Weske (14) Best Speed Film, Director, Actor, Actress, Supporting Actor, Screenplay, Scriptural Integration, Evangelista Award, Cinematography, Editor, Production Design, Sound Design, Original Score, Makeup & Hair.

“F8TH” by Tamara Johnson (14) Best Speed Film, Director, Actor, Actress, Supporting Actor, Supporting Actress, Screenplay, Scriptural Integration, Cinematography, Editor, Production Design, Sound Design, Original Score, Makeup & Hair.

“Awakening” by Ty Orr (11) Best Speed Film, Director, Actress, Supporting Actress, Screenplay, Scriptural Integration, Cinematography, Editor, Production Design, Sound Design, Makeup & Hair.

“The Antique Shop” by Christopher Wiegand (11) Best Speed Film, Director, Actress, Supporting Actor, Supporting Actress, Screenplay, Cinematography, Editor, Production Design, Sound Design, Makeup & Hair.

“Heart of a Child” by Dave Rajkumar (9) Best Speed Film, Director, Actor, Supporting Actress, Screenplay, Scriptural Integration, Evangelista Award, Production Design, Makeup & Hair.

“Amelia” by Amy Sutherland (8) Best Speed Film, Director, Actress, Cinematography, Editor, Production Design, Sound Design, Original Score.

“So Much More” by Stephanie Hylton (5) Alumni Film, Actor, Actress, Supporting Actress (2)

“Happy ReBirthday” by Serena Travis (5) Alumni Film, Actor, Actress, Supporting Actor, Supporting Actress

“Nato Podalico” (Breech Born) by Deborah E. Brown (4) Int’l Film, Scriptural Integration, Editor, Production Design

“Sunday School” by Alicia Schudt-Schechter & Yvette Sams (4) Write of Passage Film, Comedy, Actor, Supporting Actor

“Luzy” by Marjorie Burgos (3) Supporting Actress, Sound Design, Original Score

“D.O.G.” by Justin Manntai (3) Comedy, Supporting Actress, Evangelista Award

“ReNaissance” by Nina May (2) Alumni Film, Comedy

Media Liaison
168 Film
+1 818-557-8507
email us here


Source: EIN Presswire

Global Post, Live and Audio Production System Market Report 2019-2025 by Technology, Trends, Top Key Players and more…

A new market study, titled “Global Post, Live and Audio Production System Market Size, Status and Forecast 2019-2025”, has been featured on WiseGuyReports.

PUNE, MAHARASTRA, INDIA, July 22, 2019 /EINPresswire.com/ — Post, Live and Audio Production System Market

Post, live & audio production system offers a vast range of dedicated functions focused on postproduction, studio production and live recording. In 2018, the global Post, Live and Audio Production System market size was xx million US$ and it is expected to reach xx million US$ by the end of 2025, with a CAGR of xx% during 2019-2025.

This report focuses on the global Post, Live and Audio Production System status, future forecast, growth opportunity, key market and key players. The study objectives are to present the Post, Live and Audio Production System development in North America, Europe, China, Japan, Southeast Asia, India and Central & South America.

The key players covered in this study 
Steinberg 
Ableton 
Sony 
Acon Digital 
Adobe Systems 
MOTU 
Image-Line 
Apple 
Magix Software 
Spacehead Systems 
Acoustica 
MuTools

Request Free Sample Report at https://www.wiseguyreports.com/sample-request/4266859-global-post-live-and-audio-production-system-market

Market segment by Type, the product can be split into 
16-bit Type 
24-bit Type 
32-bit Type 
64-bit Type 
Others

Market segment by Application, split into 
Mac 
PC 
Others

Market segment by Regions/Countries, this report covers 
North America 
Europe 
China 
Japan 
Southeast Asia 
India 
Central & South America

The study objectives of this report are: 
To analyze global Post, Live and Audio Production System status, future forecast, growth opportunity, key market and key players. 
To present the Post, Live and Audio Production System development in North America, Europe, China, Japan, Southeast Asia, India and Central & South America. 
To strategically profile the key players and comprehensively analyze their development plan and strategies. 
To define, describe and forecast the market by product type, market and key regions.

Table of Content:
1 Report Overview 
2 Global Growth Trends 
3 Market Share by Key Players 
4 Breakdown Data by Type and Application 
5 United States 
6 Europe 
7 China 
8 Japan 
9 Southeast Asia 
10 India 
11 Central & South America 
12 International Players Profiles 
13 Market Forecast 2019-2025 
14 Analyst's Viewpoints/Conclusions
15 Appendix 

View Detailed Report at https://www.wiseguyreports.com/reports/4266859-global-post-live-and-audio-production-system-market

About Us:
Wise Guy Reports is part of the Wise Guy Research Consultants Pvt. Ltd. and offers premium progressive statistical surveying, market research reports, analysis & forecast data for industries and governments around the globe.   

NORAH TRENT
WISE GUY RESEARCH CONSULTANTS PVT LTD
646-845-9349 (US), +44 208 133 9349 (UK)
email us here
["facebook", "twitter", "linkedin"]
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Source: EIN Presswire

Global Film Subtitling Market Report 2019-2025 by Technology, Future Trends, Opportunities, Top Key Players and more…

A new market study, titled “Global Film Subtitling Market Size, Status and Forecast 2019-2025”, has been featured on WiseGuyReports.

PUNE, MAHARASTRA, INDIA, July 22, 2019 /EINPresswire.com/ — Film Subtitling Market

Subtitles are text derived from either a transcript or screenplay of the dialog or commentary in films. 
In 2018, the global Film Subtitling market size was xx million US$ and it is expected to reach xx million US$ by the end of 2025, with a CAGR of xx% during 2019-2025.

This report focuses on the global Film Subtitling status, future forecast, growth opportunity, key market and key players. The study objectives are to present the Film Subtitling development in North America, Europe, China, Japan, Southeast Asia, India and Central & South America.

The key players covered in this study 
PoliLingua 
JBI Studios 
BTI Studios 
RixTrans 
Neoplus Translation 
DKP 
Talkbox Subtitling Studio 
Sub-ti 
Janus 
VerboLabs

Request Free Sample Report at https://www.wiseguyreports.com/sample-request/4266839-global-film-subtitling-market-size-status-and-forecast-2019-2025

Market segment by Type, the product can be split into 
Native Language Subtitling 
Foreign Language Subtitling 
Minority Language Subtitling 
Special Language Subtitling

Market segment by Application, split into 
Drama 
Comedy 
Horror Movie 
Romance 
Action Movie 
Other

Market segment by Regions/Countries, this report covers 
North America 
Europe 
China 
Japan 
Southeast Asia 
India 
Central & South America

The study objectives of this report are: 
To analyze global Film Subtitling status, future forecast, growth opportunity, key market and key players. 
To present the Film Subtitling development in North America, Europe, China, Japan, Southeast Asia, India and Central & South America. 
To strategically profile the key players and comprehensively analyze their development plan and strategies. 
To define, describe and forecast the market by product type, market and key regions.

Table of Content:
1 Report Overview 
2 Global Growth Trends 
3 Market Share by Key Players 
4 Breakdown Data by Type and Application 
5 United States 
6 Europe 
7 China 
8 Japan 
9 Southeast Asia 
10 India 
11 Central & South America 
12 International Players Profiles 
13 Market Forecast 2019-2025 
14 Analyst's Viewpoints/Conclusions
15 Appendix 

View Detailed Report at https://www.wiseguyreports.com/reports/4266839-global-film-subtitling-market-size-status-and-forecast-2019-2025

About Us:
Wise Guy Reports is part of the Wise Guy Research Consultants Pvt. Ltd. and offers premium progressive statistical surveying, market research reports, analysis & forecast data for industries and governments around the globe.      

NORAH TRENT
WISE GUY RESEARCH CONSULTANTS PVT LTD
646-845-9349 (US), +44 208 133 9349 (UK)
email us here
["facebook", "twitter", "linkedin"]
{"facebook"=>"", "twitter"=>"", "linkedin"=>""}


Source: EIN Presswire

MVB RECORDS' Female Hip Hop Artist La'Vega Releases New Mixtape: "VEGA"

La'Vega's NEW mixtape "VEGA"

La’Vega – “VEGA”

MVB RECORDS' female Hip Hop Artist La'Vega

La'Vega releases her 2nd mixtape of 2019; 8th mixtape as an artist, and the lead single "No Bay-Bee (REMIX)" features platinum selling Brooklyn Rapper Maino.

Needless to say that the standout track on the entire mixtape is when Brooklyn and Bronx collide on the third track, "No Bay-Bee (REMIX)"”

— David Kessler

BRONX, NY, UNITED STATES, July 20, 2019 /EINPresswire.com/ — The popular up-and-coming female Rapper from Bronx, New York, La'Vega, just released her 8th mixtape titled "VEGA". The mixtape contains six tracks: 1. All You, 2. Hit It On a Late Night, 3. No Bay-Bee (REMIX) Ft. Maino, 4. Out Her Way, 5. Precious Life, 6. Tropical Energy. Needless to say that the standout track on the entire mixtape is when Brooklyn and Bronx collide on the third track, "No Bay-Bee (REMIX)". La'Vega delivers an infectious hook on this track that is sure to "hook" her listeners to sing along with the hook, throwing up 'verbal' middle fingers to all the haters in the world.

La'Vega's lyrics on the first verse of "No Bay-Bee (REMIX)" starts off with, "Just thinking to myself, how I land on E (Empty), can't lose, keep it together, all them eyes on me", which describes the trials and tribulations she had to endure throughout her time as a musician, all while never giving up on her dream. What follows on the second verse is Hip Hop artist Maino reminding us once again why he is the 'King of Pain', and why he is a platinum selling artist. Maino's verse shows the veteran manhandling the beat, and taking the track and energy of the song to the next level. The "No Bay-Bee (REMIX)" is by far the best track on La'Vega's new mixtape, and also can possibly be her best song to date; right along with "Nappy" and "The Girl You Like".

The overall verdict on "VEGA" is that it is collectively one of her best mixtapes; maybe even better than "GoneGirl.GirlGone" (her 6th mixtape). "VEGA", once again, showcases the melody making skills of this up-and-coming musician, and reminds her fans and listeners of not only how far she's come as a songwriter, but how much immense potential she has as a musician. La'Vega might just be the most versatile and promising "up-and-coming" music artist out of New York city. If you do not believe us, listen to her songs "Nappy", "The Girl You Like", "Kill'Em", "No Bay-Bee (REMIX)", "Precious Life", and "All You". All distinct sounds, different content, infectious hooks, and all songs are full of carefully crafted melodies.

La'Vega's music can be found on Spotify, TIDAL, Apple Music, Amazon Music Unlimited, Napster, and other popular music streaming services. Her record label (MVB RECORDS) says that she is already working on her third mixtape, which is said to be scheduled for release at the end of Summer. If this is true, then she will have released three mixtapes in three months, which means she has outworked Cardi B; "2 mixtapes in 6 months which b*tch working as hard as me", and every other female and male Hip Hop artist in New York.

David Kessler
UPC MAGAZINE
+1 212-675-2795
email us here
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No Bay-Bee (REMIX)


Source: EIN Presswire

How to Know if a Voice Role is Right for You

Voicing a role is a commitment. It requires meeting certain expectations. When voicing a role, you should be familiar and comfortable with these expectations.

LONDON, ONTARIO, CANADA, July 19, 2019 /EINPresswire.com/ — Learning about the types of roles that are right for you is something that you, as a voice artist, will become more comfortable with as you progress in your career. To find the perfect role, and to know if you are a good fit for it, you will first have to fully understand and grasp the role you are auditioning for. Whether it is a product or a character, you really have to get to know the role. Who is the character? What is the product? Who is the intended audience? These are all questions you need to ask yourself when considering if a certain role is the right fit for you. Remember: not all roles will be meant for you

Voicing a role is a commitment. It requires meeting certain expectations. And when voicing a role, you should be familiar and comfortable with these expectations.

A part of being a good voice actor is knowing when to turn down roles or knowing when a role just isn’t for you. If you find that you struggle with figuring out if a certain role is a right fit for you, here are some tips that can guide you in the right direction.

Will the Role Help Your Career?

This is very important. Will this role show your skills as a versatile voice actor – one that can do many different styles of voices? If the role falls under the same umbrella of many other roles you’ve done in the past, it may be best to pass it up. If you have a portfolio full of similar voices, it may be time to take a risk and find a role that shows your vocal range, talent, versatility, and ability to perform different types of characters and voices.

Think About the Timing

Every role takes an emotional commitment. Each role also takes a personal commitment, as it takes time out of your schedule and your life. Is this role the right fit for you in terms of timing? If it will jeopardize another role or affect your personal life, it might be best to turn it down.

What is the Role’s Message?

What is the character’s or product’s message or story? Do you believe in the story? If you don’t believe in the message the role is sending, you will never fully be able to commit to it. A part of committing to a role and really giving it your all is being able to understand and believe in its message. If you don’t, it’s probably best to pass up the role.

What About the Money?

If you are considering doing a role you are not exactly proud of just for the money, it might be best to turn it down altogether. This is a personal decision you have to make on your own. Sometimes no amount of money is worth putting a price on your integrity.

Visit Voices.com Today!

Voices.com is the world's number one resource for voice acting. Servicing voice acting professionals all over the world, Voices.com offers job postings and professional products and services that help voice professionals achieve their goals. Get started for free!

Voices.com
www.voices.com
+1 888-359-3472
email us here


Source: EIN Presswire

The Most Common Types of Voice Over Work

Being able to voice in a variety of jobs can give you a leg up on the competition.

LONDON, ONTARIO, CANADA, July 19, 2019 /EINPresswire.com/ — There are many different voice over acting jobs that voice artists can do, and the best voice artists are able to work in a variety of these jobs. In fact, it is in a voice artist’s best interests to ensure that they don’t pigeonhole themselves in one area of voice work, as this can significantly affect their chances of landing different jobs in the future.

Being able to voice in a variety of jobs can give a voice artist a leg up on their competition, which is why it is good to familiarize yourself with the different types of projects voice artists can do.

Here are some of the most common voice over acting jobs.

Animation (TV or Movie)

Animation is the most common type of voice over acting. From television shows to movies, animation roles are among the most popular jobs completed by voice actors. These roles can include cartoons for kids, anime, adult television shows/movies, and more. Some of the most famous voice artists around the world make millions of dollars voicing for animations. It can be difficult landing a role for a big animation without the right experience, although there are all sorts of smaller animation gigs lesser known voice artists can do to enhance their portfolio.

Commercials

Voice artists narrate scenes during commercials, which is a great way to explain a particular product or service and get its message across. Commercials require voice artists that have clear, enthusiastic, and energetic voices which can provide information about a certain product or service in a clear and coherent manner. Professional voice artists make a large deal of their money from commercials, which are not as competitive as bigger animation roles.

Documentaries

Documentary voice artists require a special type of cadence, pronunciation, and tone which are unique to documentaries. Such examples include documentaries like Planet Earth, crime television shows, and more. Documentaries usually require expert voice artists who have experience in cadence and pronunciation. Typically only extremely experienced voice artists land these types of roles.

Video Games

Video games require voice talent that brings characters to life – much like an animated television show or film. Video game voice actors have to really understand the video game and the character they are portraying in order to really become the character. Video game fans, like animation fans, can tend to be very critical of the people voicing their favorite characters. This is why it is crucial for a voice artist to get to know the character and the video game itself when auditioning for this type of role.

Visit Voices.com Today!

Voices.com is an industry leading resource for voice acting professionals. As the world's number one voice over resource, Voices.com offers a variety of resources for all your voicing needs. Whether you are looking for tips and tricks on improving your voice, landing a job, or just want to look at job postings, Voices.com has all you need. Get started for free today!

Voices.com
www.voices.com
+1 888-359-3472
email us here


Source: EIN Presswire

How To Nail Your Next Voice Over Audition

You're not going to land every role you audition for. Just try, and try again. Let every audition be an opportunity to improve your voice.

LONDON, ONTARIO, CANADA, July 19, 2019 /EINPresswire.com/ — If you're a voice artist, you have probably completed your fair share of auditions. You’re also probably all too familiar with all the emotions and feelings that come out of doing auditions: the nerves, the fear, the uncertainty. It can be nerve wracking and even demoralizing, especially if you find yourself facing constant rejection. If you are struggling with auditions and are trying to improve your voice for your next gig, you’ve reached the right place.

If you want to succeed and land more parts that you are auditioning for, you may find these tips helpful.

Practice Makes Perfect

Before auditioning, be sure to practice the script. It is absolutely crucial to familiarize yourself with a script before an audition. You don't need to read the entire script, but read through parts of it so that you know what the script is all about. Interpret the script in your own way and use this interpretation to improve your audition using different techniques, tones, and voices. By focusing on the copy, you can better understand where to take certain pauses, where to amplify your voice, and where to take it a bit easier.

Take the time to understand the product or character, who the script is targeting, the script’s purpose, and so on. This will help give you an authentic performance. Ask yourself basic questions about the script: what is the script about? What words need to be emphasized? Don’t just wing it. Throw yourself into the script and become an extension of the script. This will give you a huge leg up on the other voice artists auditioning for the same part.

Don’t Forget to Warm Up

It is critical to warm up before an audition. This means practicing the script beforehand, staying hydrated, and warming up your voice. Try to warm up at least an hour before the audition. Loosen up your vocal cords, do breathing exercises, vocal scales, and prepare yourself mentally.

Be Energetic

Most voice artists know that there is so much more to a good voice over than just reading the script. Every single word you say has to have emphasis – it has to have energy. Breathe life into every single word, regardless of what the word is. Let your energy shine through your voice.

Practice Deep Breathing Exercises

Learning how to control your breathing during a voice over is crucial to a successful audition. Practice diaphragm breathing to amplify your voice and keep it steady. You can also consider other breathing exercises like meditation, which helps people focus on breathing, calms them down, and can help them get into character.

Stay Hydrated

Be sure to keep yourself hydrated before an audition, as a dry mouth can make your voice hoarse. Staying hydrated will lubricate your vocal cords so that your voice is in tip top shape for the audition.

Never Give Up

You're not going to land every role you audition for. Don't let this discourage you. Just try, and try again. Let every audition be an opportunity to improve your voice. Remember: even the most famous of voice artists have been rejected throughout their careers – multiple times.

Sign Up for Free on Voices.com

Voices.com connects businesses with professional voice artists from all over the world. We offer a one-of-a-kind resource made up of half a million voice actors, talent agents, producers, and more. Our mission is to connect people with voices from around the world while helping to influence the world through the human voice. Sign up for free today!

Voices.com
www.voices.com
+1 888-359-3472
email us here


Source: EIN Presswire

5 Tips to Amplify Your Voice

Any voice over artist knows the importance of voice projection. Amplifying your voice is key to making it sound bolder and louder, but some struggle with it.

LONDON, ONTARIO, CANADA, July 19, 2019 /EINPresswire.com/ — Your voice’s ability to project can be affected by a number of things, ranging from your breathing, to your posture, to your vocal capacity. If you’re having difficulty amplifying your voice, there are certain things you can try to do – and techniques you can practice – that can improve your vocal range and projection.

If you’re having trouble projecting your voice, here are some projection tips that will help you amplify your voice.

1. Do Your Warmups

Just like an athlete warms up before a practice or competition, so too should a voice artist. You need to warm up those vocal cords before using them, otherwise you may risk straining them or doing damage to your voice. Warm ups can include humming, lip trills, breathing exercises, and more. Performing these techniques and warmups will prepare your vocals so that you can sound your absolute best during an audition or recording.

2. Practice Your Breathing

To really amplify your voice and get the projection you are looking for, it is important to understand how to incorporate breathing techniques into your warm ups and vocal practices. You can do this by learning how to breathe and speak from your diaphragm. This can help improve your voice's delivery.

Most of us breathe through our upper chest, but it is important for voice artists to understand how to breathe through their diaphragm, which allows them to better control their breathing while speaking.

When we breathe our lungs expand, which allows our vocal folds to vibrate. This increases a voice’s capacity. Exhaling deeply helps your diaphragm move up, which helps with projection – making your voice sound more confident and authoritative. A voice artist’s ability to control his breathing is what sets apart the professionals from the amateurs.

3. Go Bigger, Not Harder

When trying to amplify your voice, don’t push your voice too hard. Pushing your voice too hard can make you hoarse and damage your vocal cords. Focus on going bigger. Imagine the inside of your stomach, throat, and mouth. Imagine them expanding. This will help prepare your muscles. Open your mouth and throat large and amplify your voice. Never force it out.

4. Work On Your Posture

A person’s posture affects their voice. When speaking, keep your shoulders neutral and your head centered, including your jaw. The way you stand should ensure optimal breathing, which will give your voice the projections it needs.

5. Practice, Practice, Practice

And, of course, just like any other profession or sport, it is crucial to perfect your craft through diligent, disciplined, and dedicated practice. This includes completing all your warm ups and doing what you can to ensure your voice and vocal cords are in optimal health. You may even want to consider hiring a coach to help you stay accountable.

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Source: EIN Presswire

Kate Magdalena's "Streets of Any Town" Highlights Nation's Homeless Crisis

Resurrecting the Protest Song: for Men and Women on the Streets of America

On a corner of the streets of any town, there's a man who life forgot; he's going down.”

— Kate Magdalena

SAN FRANCISCO, CA, UNITED STATES, July 19, 2019 /EINPresswire.com/ — San Francisco recording artist and singer-songwriter Kate Magdalena wrote her new song "Streets of Any Town" in response to a conversation with a homeless man on Nashville’s busy honky-tonk music street, Broadway. The song is this man’s story, but it is also the larger story of men and women across America who live on the streets because they have been forced there for economic and social reasons. The song asks the question: is it really okay in the United States of America to allow people to live on the street? The song also packs a religious punch with its refrain “the least of you”, recalling Jesus’ words from Matthew 25:45 —- ‘Truly I tell you, whatever you did not do for one of the least of these, you did not do for me.’

The song is the fourth track from Kate's upcoming album "A Larger Dance" coming in October, and available for pre-order next month. She has also released "Take Me to Church" by Irish singer Sinead O'Connor, "Be the Lark" a song addressing issues of loss and "Battle Hymn of the Republic" timed for July 4th. These songs have been recorded and produced by GRAMMY-nominated-producer Billy Smiley (Johnny Cash, Whiteheart, Clay Aiken, and the Newsboys) and feature some of Nashville's finest musicians with Fred Eltringham (The Wallflowers and Sheryl Crow), Byron House (Robert Plant and the Band of Joy), Blair Masters (Garth Brooks) and Brennan Smiley (The Technicolors).

"Streets of Any Town" will be playing on local country radio stations across America, promoted by Grassroots Promotion, out of Nashville. Kate hopes that the song, and its accompanying music video may be of use to any individual or agency working with issues of homelessness.

To listen to the song: https://smarturl.it/AnyTown
On Spotify: https://open.spotify.com/album/2nTmsANtVx5BmlxFjFX5Dx

ABOUT KATE MAGDALENA:
For Kate, singing is a way to bring what is inside, outside. It is to make the invisible audible. Kate has an ability to move her listeners with her voice, to bring pleasure and joy. Kate was raised in an era in which people looked to the arts and music to inspire social activism. Like Dylan’s great songs, Kate's music addresses some of the pressing issues of our own day. Kate is pursuing her music career now, after a career as a teacher and chaplain. She hopes that in pursuing her own dream later in life, that she might inspire others to believe in their own cherished dreams.

For further information, or to use the song, please contact Kate Magdalena, kate@katemagdalena.com

Kate Magdalena Willens
Kate Magdalena Music LLC
+1 707-321-8579
email us here
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Streets of Any Town


Source: EIN Presswire