Arizona jury awards Arnaldo Trabucco,MD $8 million.Jeffrey Cogan ESQ guilty of malicious prosecution/abuse of process.

Trabucco wins $8million in lawsuit

Guilty of malicious prosecution/abuse of process.

Trabucco wins $8million in lawsuit

Guilty of malicious prosecution/abuse of process.

Jury awards Arnaldo Trabucco,MD largest award in AZ history.

Guilty of malicious prosecution/abuse of process.

Jeffrey Cogan ESQ found guilty of malicious prosecution/abuse of process. Mojave County, Arizona jury awards Arnaldo Trabucco,MD largest award in AZ history.

The lawyers’ truth is not Truth, but consistency or a consistent expediency.”

— Henry David Thoreau

OMAHA, NE, UNITED STATES, April 2, 2019 / — Omaha Nebraska, UNITED STATES, March 29, 2019 / — A Superior Court jury in Kingman, AZ on 7/26/2018 awarded $6,232,000 in compensatory damages and $1,768,000 in punitive damages to the plaintiff, Dr. Arnaldo Trabucco according to court records. NO. CV-2014-04030

Arnaldo Trabucco,MD sued Jeffrey A. Cogan ESQ, his law firm and the family of the patient who passed away of natural causes, unrelated to the surgery, Gerald Scharf for filing fraudulent repetitive law suits alleging the equivalent of murder of the patient.

Jeffrey Cogan was relentless in his fraudulent filings. The first filing was in Nevada federal court, dismissed. The 2nd in AZ state court (both dismissed with no evidence with prejudice against Cogan) and finally in AZ Federal Court that went to a jury with a unanimous verdict (8-0) in favor of Trabucco, with no evidence and finding that Trabucco did anything wrong, Cogan had absolutely no evidence to support his fraudulent allegations of malpractice (10/2017). Cogan witnesses, Dr. Mellman's who indicated there was no deviation of the standard of care and his other witness Dr. Danoff's testimony stated the operation went well without any issues.

Dr. Danoff retorted to sell his book “Penis Power” to the jury and informing them that they can buy it online. “Really it’s called Penis Power you can buy it on”. The performance presented in court was comical and pathetic to say the least. Trabucco’s Malpractice lawyer was represented by Scott Holden Esq.

Dr. Trabucco then sued Cogan, seeking damages for harm to his reputation, loss of earnings, emotional distress and defense costs.

Despite Trabucco reporting Cogan to the Nevada Bar Association, they have adamantly refused to do anything to Cogan despite the severe and multiple egregious malicious untrue allegations and filings since 2013. Cogan has blatantly violated trial rule 11 which basically indicates that when a lawyer files a lawsuit he must have done unequivocally due diligence to obtain factual evidence of the charges that he is filing for, which he had absolutely no evidence to substantiate his allegations. These allegations were fabricated by this bankruptcy attorney for malicious intent. This was substantiated by Scott Holden ESQ during his testimony.

Cogan is also in violation the code of ethics rule 121 section A and B, which relates to confidentiality of the American Bar Association when a formal complaint has been filed. Again the Nevada Bar Association has done nothing.

The Mohave county jury unanimously voted in favor of Dr. Trabucco and (7/26/2018) assessed the damages against Cogan and his law firm.

Phoenix law firm Wilenchik et. al., which represented Trabucco, said it searched records and couldn’t find a higher verdict in Mohave County, or in the state of AZ. The next highest award found was for $1.25 million in a 2010 medical malpractice case. This displays how vehemently malicious Cogan’s allegations and lawsuits were fraudulently filed with no evidence.
Cogan solicited this case with the aid of a Dr. and his wife from Arizona who was apparently acting as a fictitious pseudo-paralegal to assume this case which was going to be dismissed by the previous attorney because there was no case. So that attorney sat on the case so long until the attorney died. His partner was going to drop the case because there was no case.

Cogan, who is based in Las Vegas, (a bankruptcy attorney, hired by his ex-wife, and not a malpractice attorney) had previously sued Dr. Trabucco for the same fraudulent malpractice case causing Scharf’s death, 3 times for the same case. Cogan fraudulently stated that Trabucco murdered his own patient. With the help of forensic pathology a federal jury found that Scharf died of natural causes unrelated to the surgery, and there was, no evidence supporting malpractice by Trabucco’s lawyer Scott Holden said. Holden had warned Cogan about the filing of his false claims on numerous occasions; however Cogan persisted three times and stated to Holden that “he wanted his cake and eat it at the same time” and that he wasn’t worried. Holden as a lawyer has never seen a more corrupt case like this in his entire career. The malpractice case was finally concluded in Trabucco's favor on October 2017 in Arizona federal court.

Trabucco then sued Cogan, seeking damages for harm to his reputation, loss of earnings, emotional distress and defense costs. Trabucco will also be seeking criminal charges against Cogan and his co-conspirators for using the federal court system with malicious intent for personal gains.

Dr. Trabucco the board-certified urologist had never had a malpractice judgment or settlement against the in over his 31-year career. They said even Scharf’s wife, who had hired Cogan, didn’t think the doctor was responsible, and relied on Cogan to provide the evidence which there was none.

Jeffrey Cogan admitted in Arizona Superior Court that he was hired by Rebecca Eimerman and Dr. Trabucco’s ex-wife Pamela Trabucco. Cogan also conspired with another doctor and wife who were also in contact with Dr. Trabucco’s ex-wife and Rebecca Eimerman as well as his father, mother, sister, daughter who was underage at the time. This exemplifies the Machiavellian approach and the seriousness of the issues at hand as a conspiracy with multiple individuals involved. Dr. Trabucco is now filing suit against his ex-wife Pamela Trabucco, Rebecca Eimerman and other individuals and periodicals relating to this matter as well as other matters that are propagated fraudulently on the Internet.

Cogan a bankruptcy lawyer is now declining to pay and has filed for appeal, but the evidence is overwhelming against him. Please note that Mr. Cogan has recently committed dishonest actions with a “fraudulent transfer” where he took out the property of his corporation and then put it in a corporation in his own name in exchange for nothing to the corporation with the obvious purpose of keeping it away from collections “by claiming it is exempt under personal endeavors exemptions”. This exemplifies the immoral nature of Cogan and thinking that he is above the law.

Arnaldo Trabucco, MD
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Source: EIN Presswire

SideShow Wrestling Pop-Up Joins the Super Showdown in Morrison, TN


Super Showdown Event Poster

NASHVILLE, TENNESSEE, UNITED STATES, April 2, 2019 / — Hurry, hurry, hurry, wrestling fans! The SideShow is coming to town.

Saturday, April 13th, the Victory Center in Morrison, TN will host an explosive mashup of wrestling when SideShow Wrestling comes to town to join Mayhem Wrestling & Tennessee All Pro Wrestling’s Super Showdown.

The SideShow Pop-Up promises to be a dynamic event showcasing wrestling wonders from around the globe, such as NXT and ROH veteran Corey Hollis squaring off in a test of strength and skill against All Elite Wrestling's own Brandon Cutler.

Guests will be on the edge of their seats during the show-stopping Triple Threat Match between the chaotic clown Tripp Cassidy, the cunning leader of the “Brick Nation,” Mr. Brickster, and the fiercest flip-flops in the game, Cabana Man Dan.

And in the main event, two titans – three-time TNA Champion and Dojo Pro Veteran “Cowboy” James Storm, and WWE Hall of Famer Billy Gunn – team up to tame the ferocious freak show of fighting, Kerry Awful and Nick Iggy, better known as The Carnies.

These three matches and more will be assembled this Summer for the first SideShow Wrestling TV Special coming to digital platforms.

Expect the unexpected at the SideShow Pop-Up at Super Showdown!

ALL SEATS ONLY $10! Kids 5 & under get in free.

Saturday, April 13th!
Meet the stars starting at 7:00pm!
Bell time is 8:00pm!

The Victory Center
5542 Manchester Hwy
Morrison, TN

Do not miss this spectacular night of SideShow Wrestling at the Super Showdown!

Kevin Martin
Tennessee All Pro Wrestling / Super Showdown
email us here
+1 6154380970
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Source: EIN Presswire

Tickets on sale April 3 for Bard on the Beach Shakespeare Festival's 30th Anniversary Season

Bard on the Beach site

Bard on the Beach Shakespeare Festival is located in Vanier Park in Vancouver, British Columbia

We are celebrating this milestone year by sharing the brilliant words of Shakespeare through dynamic productions that showcase the world-class talents of our directors, cast and design teams.”

— Christopher Gaze, Bard on the Beach Artistic Director

VANCOUVER, B, CA, April 2, 2019 / — Bard on the Beach celebrates its 30th season with a lineup that includes a salute to an all-time favourite Bard production, the stage adaptation of an Oscar-winning romantic comedy, a cross-cultural story set in India, and a powerful, rarely-staged political drama. Tickets for all Bard on the Beach plays and special events go on public sale April 3, 2019.

“We are celebrating this milestone year by sharing the brilliant words of Shakespeare through dynamic productions that showcase the world-class talents of our directors, cast and design teams, working with innovative concepts that will have impact and relevance for today’s diverse, demanding audiences,” says Bard on the Beach Artistic Director Christopher Gaze.

The season kicks off with The Taming of the Shrew, inspired by Bard’s beloved 2007 Wild West production, a high-energy hit; it plays in repertory with the Elizabethan-set romantic comedy Shakespeare in Love, adapted from the award-winning film of the same name; both are on the BMO Mainstage. The Howard Family Stage offers two new Shakespearean productions that run consecutively: All’s Well That Ends Well, set in 1940s India at the time leading up to Indian independence, and Coriolanus, a riveting political drama filled with resonance for our time.

“We have built a season that is designed to delight Festival fans who have been with us since Bard on the Beach first began in 1990, while also enticing new visitors to our Festival,” says Gaze. “Lois Anderson, who directed last year’s hit production of Lysistrata, brings us a feminist-forward interpretation of our hilarious 2007 spaghetti-Western Shrew. Also on the BMO Mainstage, we’re extending our reach beyond Shakespeare’s canon with the playful romantic adventure, Shakespeare in Love, directed by Daryl Cloran; he brought us the record-breaking, critically-acclaimed As You Like It last season. On the Howard Family Stage, Johnna Wright and Rohit Chokhani (Artistic Director, Diwali in BC) co-direct a South Asian setting of All’s Well That Ends Well, and Shakespeare lovers will revel in our first-ever staging of Coriolanus, a post-modern production directed by Bard Associate Artistic Director Dean Paul Gibson.”

Play Run dates and Special Events for 2019 are:

• The Taming of the Shrew – June 5 to September 21 – Opening Night June 16
• Shakespeare in Love – June 12 to September 18 – Opening Night June 21
• All’s Well That Ends Well – June 26 to August 11 – Opening Night June 30
• Coriolanus – August 21 to September 15 – Opening Night August 25
• Exploring Shakespeare – July 6, July 13, July 20 & September 7 at 11am – Simon Fraser University’s Paul Budra leads lively explorations of the season’s four plays.
• VSO at Bard: From Venice to Vienna – June 24 at 7:30pm
• Forum: Kate – Victim or Victor? – August 26 at 7:30pm
• Bard-B-Q & Fireworks – July 27, July 31 & August 3 – Choose from three plays, at three themed performance-plus-dinner and entertainment events; package pricing
• Operas & Arias: Verdi and More! – August 26 & September 2 – Talented young stars of the UBC Opera Ensemble return to Vanier Park to perform excerpts from Verdi’s best-loved works, along with French opera highlights (BMO Mainstage)
• Family Days – July 6, August 10 & August 24 at 2pm; linked to the BMO Mainstage plays
• Talkback Tuesdays – Starting July 2, join members of the cast for lively Q & A sessions after each Tuesday evening performance (both theatres)
• Wine Wednesdays – July 10, August 7, August 21 & September 4 at 6pm (pre-show event)
• Accessible Performances: VocalEye– July 21 & August 10, The Taming of the Shrew; July 20 & August 11, Shakespeare in Love; Relaxed Performance – Sept 8, The Taming of the Shrew

Play ticket prices (regular adult) include all fees & taxes and start at $26. Youth pricing, sponsored by Global BC, is available for patrons ages 6 to 22 at 50% off regular ticket prices. Prices for special events, group bookings and multi-play ticket packages can be found online at or by calling the Bard Box Office at 604-739-0559. All tickets go on sale April 3. Early booking is recommended for best seat selection (all seats reserved) and because many performances sell out in advance.

Bard on the Beach gratefully acknowledges the corporate sponsors who support and sustain the Festival and its programs. 2019 sponsors include Season Sponsor Goldcorp; Production Sponsors Avison Young, Lawson Lundell, BlueShore Financial and Lonetree Cider; Season Media Sponsors The Vancouver Sun and Global BC, as well as many other valued sponsors and partners. Bard also thanks the City of Vancouver Cultural Services Department, the Vancouver Park Board, the Province of British Columbia, the B.C. Arts Council, and the Canada Council for the Arts for their continuing support.

About Bard on the Beach Shakespeare Festival
Bard on the Beach is one of Canada's largest not-for-profit, professional Shakespeare festivals. Established in 1990, the annual summer festival’s mission is to perform, explore and celebrate the genius of William Shakespeare, surrounded by the natural beauty of Vancouver, British Columbia, Canada. Bard also offers year-round education and training programs for youth, adults and theatre professionals in its administrative home at the BMO Theatre Centre in Olympic Village as well as in schools and community facilities throughout the Lower Mainland of British Columbia.

Cynnamon Schreinert
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Source: EIN Presswire

Award-Winning Songwriter Says His Protest Song is Reminder of Cold War-Era Russian Czar Khruschev's Threat to Rule U.S.

Songwriter says he remembers Cold War Threat by Russia's Krushchev to "Take over America not with our military but with your democratic processes, to bury you!"

We will take over America, but not with our military…with your own democratic processes, and we will bury you!”

— Late Russian Czar Nikita Krushchev

Award-Winning Songwriter Says Protest Song Inspired by Cold War-Era Russian Czar Nikita Krushchev's Threat to Rule the U.S. "Through Your Democratic Processes!"

CONTACT: Litigation Support and Testimony: 310.678.6950

Los Angeles, CA. March 30, 2019. James E. Shaw, Ph.D., says he well remembers when he, as a 1960s-era high school student, watched Russian Czar Nikita Krushchev's furious televised promise-threat, "We will take over America, but not with our military…with your own democratic processes. We will BURY you!"

Concerned and disturbed about events in the White House since President Trump's inauguration, Shaw wrote the music and lyrics for "Trumpty Dumpty: Faking America Great!", copyrighted and registered it with Broadcast Music International (BMI) and achieved distribution through iTunes, Pandora, AmazonMusic, GoogleMusic, and some 31 other music-streaming sites. The song, a Finalist winner in the recent USA Songwriting Competition, pulls no punches as Shaw's group EARTH DANCE's Puerto Rico-born singer belts out the sizzling hot lyrics amid a searing cha-cha dance beat. The song was written to "inform and advise" people that "America has a fake president in the White House," bluntly states Shaw, a Los Angeles resident who, in the 1970s, led the pop band "Chain Reaction."

Shaws says, "Trumpty Dumpty: Faking America Great!" "is a protest song to remind all Americans and our allies" that the nation's "2016 Presidential Election produced a one-thought anti-American tyrant who crossed political borders" and, sadly, forged his "alliances with white supremacists and erected his own personal wall to shut out the nation's minorities and its diverse cultures." Shaw adds: "To say President Trump is 'out of line' with his zero thinking level, block-headedness, name-calling, and 100%-proof racism, would merely be a polite suggestion that there are increasingly visible mental and emotional derangements spawning his thoughts and behaviors." Shaw says that President Trump's unabashed love for Russia's Vladimir Putin "seems to be the surreal creation of an unravelled time-capsuled script by Russia's late Nikita Krushchev following his Cold War-era vile threat to take over America through our democratic processes."

Shaw says that American people have a "well-documented history of virtually, automatically" learning and predicating their responsive behaviors around national protest songs that eventually become classic anthems. "If one analyzes America's protest songs, there are ideas, truisms, calls to action, and a foundational spirit inspired and concretized by optimism and faith inherent in and virtually dripping from these songs." Shaw says, "I am pinching myself constantly and am deeply appreciative that America's protest song icon, Bob Dylan, "recently reached out to me and tweeted that he likes my song, "Trumpty Dumpty: Faking America Great!"

Shaw says, "I am honored that the U.S.A. Songwriting Competition presented me with its "Finalist" award, and that dozens of music-streaming sites have signed on to distribute my song. Shaw adds: "What more can a songwriter ask, than for listeners to sing and dance to well-sung truths embellished by powerful rhythms, eloquently and elegantly sung by the group, EARTH DANCE?" Protest songs are an American tradition, and what a great and only-in-America tradition we certainly have, to be thankful for, in our United States."

James E. Shaw, Ph.D.
Litigation Support and Testimony
+1 310-678-6950
email us here

Source: EIN Presswire

Thai entertainment industry exceeds expectations at Hong Kong FILMART 2019

Thai Filmart

The Thai Pavilion featured more than 20 Thai film and TV companies

DITP announces generated revenue of over US $50m

Thailand’s popularity is largely due to the experience and skills offered, while Thailand remains extremely competitive in terms of cost.”

— Boonyarit Kalayanamit. Permanent Secretary of the Ministry of Commerce

HONG KONG, CHINA, April 1, 2019 / — The Department of International Trade Promotion (DITP), Ministry of Commerce in combination with the Ministry of Culture and the Department of Tourism announced extremely encouraging results from the Hong Kong International Film and TV Market (FILMART) 2019. Twenty-two Thai companies were represented at the Thai Pavilion, including film production and distribution companies, production services and facility companies, television production and distribution companies, and documentary producers.

Revenue was generated by these companies as a result of licensing deals, co-production agreements, and production and post-production contracts. 558 meetings were conducted, resulting in a total revenue of over 1,600 million Baht (over US$50m).

Mr. Boonyarit Kalayanamit. Permanent Secretary of the Ministry of Commerce said,
“The entertainment industry entrepreneurs who represented Thailand proved the strength of Thailand in both content creation and in the provision of production services and facilities. Thailand’s popularity is largely due to the experience and skills offered, while Thailand remains extremely competitive in terms of cost. The Ministry of Commerce recognises the value of the entertainment industry in the world market, and supports Thai companies at a number of international markets throughout the year. International sales and contracts play an increasingly important role in the business of Thai companies, and we have seen a number of companies adapt their strategies and contents as they have gained increased knowledge of the requirements of the international market.”

At an MOU signing in the presence of the Permanent Secretary, two important agreements were achieved.

Halo Productions Co., Ltd. signed a co-production agreement with Han Media (HK) Culture Co., Ltd. from Hong Kong to produce television series for distribution in Thailand and China. These are expected to produce revenue of over $US3m.

Hollywood (Thailand) Co., Ltd. signed an agreement with AirSpeed Pictures from China to distribute Hollywood’s latest title ‘The Lake’ in China, a contract poentially worth over $US2m.

Other negotiations were concluded, including a distribution agreement signed by Wishtrend Thailand Co., Ltd. to distribute two of their documentaries in the international market.

Kantana Sound Studio Co., Ltd. announced that it will provide localization services to Chinese broadcaster CCTV, which will result in a substantial amount of work.

Animation and VFX company The Monk Studio has agreed an outsourcing deal with Korean Company – Animation.

Sunday Still Working reported strong sales deals in India and the Philippines, expanding the world market for Thai feature films.

These results show that the film, animation, television and documentary industries of Thailand are expanding their reach into new international markets, and opening the door to future trade.

The combined force of the government and private sector is creating stronger ties throughout the ASEAN and Asia-Pacific region, as well as increasing the competitiveness and sustainable success of Thailand’s entertainment industry as a component of global trade.

For more information, please contact:

Thailand Department of International Trade Promotion
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Boonyarit Kalayanamit
+66 2 507 7999
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Thailand – Where Films Come Alive

Source: EIN Presswire

Muvi Launches Sanjh – The World’s First Blockchain-powered Digital Content Licensing Platform

Sanjh - Digital Media Content Marketplace

Sanjh is a Blockchain-based content marketplace to license any media content for sharing and broadcasting across OTT and other content sharing platforms.

NEW YORK, NEW YORK, USA, April 1, 2019 / — NewYork-based leading OTT platform provider Muvi has announced Sanjh – world’s first blockchain-based digital content licensing marketplace that allows buying and selling of media content rights such as movies, music, documentaries, images and much more. Touted as the new eBay for digital content, on Sanjh, content owners can sell their media content licenses to streaming service owners and broadcasters. Similarly, channel owners can buy content license securely from anywhere in the world through Sanjh.

Powered by Blockchain, Sanjh is a one-of-its-kind secure marketplace for trading media content licenses through tamperproof smart contracts. Content owners can earn a higher share of the license fee since there is no involvement of middleman. On Sanjh, content owners can sell all types of content such as movies, series, music, documentaries, images etc. at the desired price reaching media houses and streaming services directly thereby significantly reducing the infrastructure cost. Similarly, buyers can access a vast library of all types of content, verify licenses online, and purchase rights directly from content owners securely at a better price.

“With the advent of streaming services, content owners are faced with three main challenges- piracy, unauthorized distribution of content, and opaque royalty payment system, quotes Jyoti Nayak, Senior Marketing Manager, Sanjh. “Sanjh serves as a remedy to all three issues. Firstly, it’s tamper-proof. Powered by Blockchain, Sanjh is armored by multi-layered security levels and prevents piracy. Secondly, it rules out any iniquity in content distribution, since it tokenizes any media assets and operates on a distributed platform where all stakeholders have access to exactly the same ledger records. Thirdly, Sanjh deploys transparent royalty payment by paying content owners immediately upon sale leaving no scope for any middleman in the value chain. In addition, Sanjh makes the content marketplace democratic by subverting copyright infringement and violations”, Jyoti adds.

Lauded by customers for its state-of-the-art design and security, Sanjh is all set to break the barriers in the content ecosystem bringing sustainability to artists, streaming services, and media houses alike.

To learn more about Muvi and its services please visit

Jyoti Nayak
+91 8917439679
email us here
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Source: EIN Presswire