Vennetics Announces Live Deployment of its Identify & Access Platform

Vennetics Identity & Access Platform Functionality

Enabling mobile subscribers use their mobile ID to access leading OTT media Apps

DUBLIN, IRELAND, June 9, 2017 /EINPresswire.com/ — Vennetics, an innovator of telecommunications and IT applications, has today announced the live deployment of its Identity & Access Platform (IAS) supporting automatic mobile network authentication for leading OTT media Apps.

Commenting on the deployment, Kieran Dalton, Chairman of Vennetics said: “Subscription Video on Demand and Subscription Music services are becoming increasingly ubiquitous. In many developed markets, the penetration of S-VoD and S-Music applications from one provider or another is circa 75%, and the consumption of this content is increasingly mobile. Globally we’ve seen mobile operators respond to these trends by bundling leading video and music services with their consumer price plans in order to enhance their service offering and meet their subscriber’s evolving entertainment needs.”

Dalton continued: “to date the sign up process to these partner subscription services has been a clunky experience for the end user. Vennetics IAS addresses this by enabling the subscriber to use their mobile credentials to access these OTT content apps.”

Vennetics IAS is an identity repository, designed to manage all types of cross-channel customer identity data, automatically maintaining security and privacy. IAS provides mobile operators with a single configuration point to specify which premium subscription services are included within specific price plans. The mobile operators content partners are presented with standard OAuth based integration points.

Using OAuth and other industry standand mechanisms Vennetics IAS allows subscribers on specific price plans to use their mobile credentials to authenticate and access the premium subscription services. This is achieved without exposing network resident customer data externally. Different subscribers can be provided with different levels of access to third party applications, based on their price plan profile. In this manner, the Vennetics IAS facilitates network operators in creating new and exciting customer driven propositions designed to delight and inspire their subscribers.

Mobile Subscriber Benefits:
1. Removes the need to create yet another customer profile with the third party application provider. The subscriber simply uses their mobile creditentials to access the service, so there’s no need to remember yet another username and password.
2. Removes the need to create a new billing relationship or make additional payments to a third party provider as this is done via the mobile operator.
3. The subscriber benefits from exclusive and relevant offers with popular online service that their mobile operator has negotiated on their behalf.

Mobile Operator Benefits:
1. Enables mobile operators to monetise OTT traffic on their networks.
2. Extends the operators brand to the partners App and delivers a real feeling of exclusitity to their subscribers.
3. Greatly enhances the overall user experience for the subscriber, and injects greater value into the subscribers Mobile Phone Number as a form of ID.

Vennetics is excited to be seeing live deployments including these type of solutions and anticipates further deployments in other markets, including cooperation with a wider set of premium OTT Internet services.

John Barron
Vennetics
+353868152693
email us here


Source: EIN Presswire

Global Theatre Management System Market 2017 Share, Trend, Segmentation and Forecast to 2022

Theatre Management System -Market Demand, Growth, Opportunities and Analysis of Top Key Player Forecast To 2022

PUNE , MAHARASHTRA, INDIA, June 8, 2017 /EINPresswire.com/ — Theatre Management System Industry

Description

Wiseguyreports.Com Adds “Theatre Management System -Market Demand, Growth, Opportunities and Analysis of Top Key Player Forecast To 2022” To Its Research Database

This report studies Theatre Management System in Global market, especially in North America, China, Europe, Southeast Asia, Japan and India, with production, revenue, consumption, import and export in these regions, from 2012 to 2016, and forecast to 2022.

This report focuses on top manufacturers in global market, with production, price, revenue and market share for each manufacturer, covering

Dolby
GDC Technology
Sony Digital Cinema
Unique Digital
Ymagis
Arts Management Systems
Barco
Christie Digital Systems
Cinema Equipment and Supplies
IMAX
Kinoton Digital Solutions

Request for Sample Report @ https://www.wiseguyreports.com/sample-request/1296251-global-theatre-management-system-market-professional-survey-report-2017

By types, the market can be split into

Ticket Management
Video Management
Other

By Application, the market can be split into
Private Application
Commercial Application
Other

By Regions, this report covers (we can add the regions/countries as you want)
North America
China
Europe
Southeast Asia
Japan
India

If you have any special requirements, please let us know and we will offer you the report as you want.

Leave a Query @ https://www.wiseguyreports.com/enquiry/1296251-global-theatre-management-system-market-professional-survey-report-2017

Table of Contents

Global Theatre Management System Market Professional Survey Report 2017
1 Industry Overview of Theatre Management System
1.1 Definition and Specifications of Theatre Management System
1.1.1 Definition of Theatre Management System
1.1.2 Specifications of Theatre Management System
1.2 Classification of Theatre Management System
1.2.1 Ticket Management
1.2.2 Video Management
1.2.3 Other
1.3 Applications of Theatre Management System
1.3.1 Private Application
1.3.2 Commercial Application
1.3.3 Other
1.4 Market Segment by Regions
1.4.1 North America
1.4.2 China
1.4.3 Europe
1.4.4 Southeast Asia
1.4.5 Japan
1.4.6 India

8 Major Manufacturers Analysis of Theatre Management System
8.1 Dolby
8.1.1 Company Profile
8.1.2 Product Picture and Specifications
8.1.2.1 Product A
8.1.2.2 Product B
8.1.3 Dolby 2016 Theatre Management System Sales, Ex-factory Price, Revenue, Gross Margin Analysis
8.1.4 Dolby 2016 Theatre Management System Business Region Distribution Analysis
8.2 GDC Technology
8.2.1 Company Profile
8.2.2 Product Picture and Specifications
8.2.2.1 Product A
8.2.2.2 Product B
8.2.3 GDC Technology 2016 Theatre Management System Sales, Ex-factory Price, Revenue, Gross Margin Analysis
8.2.4 GDC Technology 2016 Theatre Management System Business Region Distribution Analysis
8.3 Sony Digital Cinema
8.3.1 Company Profile
8.3.2 Product Picture and Specifications
8.3.2.1 Product A
8.3.2.2 Product B
8.3.3 Sony Digital Cinema 2016 Theatre Management System Sales, Ex-factory Price, Revenue, Gross Margin Analysis
8.3.4 Sony Digital Cinema 2016 Theatre Management System Business Region Distribution Analysis
8.4 Unique Digital
8.4.1 Company Profile
8.4.2 Product Picture and Specifications
8.4.2.1 Product A
8.4.2.2 Product B
8.4.3 Unique Digital 2016 Theatre Management System Sales, Ex-factory Price, Revenue, Gross Margin Analysis
8.4.4 Unique Digital 2016 Theatre Management System Business Region Distribution Analysis
8.5 Ymagis
8.5.1 Company Profile
8.5.2 Product Picture and Specifications
8.5.2.1 Product A
8.5.2.2 Product B
8.5.3 Ymagis 2016 Theatre Management System Sales, Ex-factory Price, Revenue, Gross Margin Analysis
8.5.4 Ymagis 2016 Theatre Management System Business Region Distribution Analysis
8.6 Arts Management Systems
8.6.1 Company Profile
8.6.2 Product Picture and Specifications
8.6.2.1 Product A
8.6.2.2 Product B
8.6.3 Arts Management Systems 2016 Theatre Management System Sales, Ex-factory Price, Revenue, Gross Margin Analysis
8.6.4 Arts Management Systems 2016 Theatre Management System Business Region Distribution Analysis
8.7 Barco
8.7.1 Company Profile
8.7.2 Product Picture and Specifications
8.7.2.1 Product A
8.7.2.2 Product B
8.7.3 Barco 2016 Theatre Management System Sales, Ex-factory Price, Revenue, Gross Margin Analysis
8.7.4 Barco 2016 Theatre Management System Business Region Distribution Analysis
8.8 Christie Digital Systems
8.8.1 Company Profile
8.8.2 Product Picture and Specifications
8.8.2.1 Product A
8.8.2.2 Product B
8.8.3 Christie Digital Systems 2016 Theatre Management System Sales, Ex-factory Price, Revenue, Gross Margin Analysis
8.8.4 Christie Digital Systems 2016 Theatre Management System Business Region Distribution Analysis
8.9 Cinema Equipment and Supplies
8.9.1 Company Profile
8.9.2 Product Picture and Specifications
8.9.2.1 Product A
8.9.2.2 Product B
8.9.3 Cinema Equipment and Supplies 2016 Theatre Management System Sales, Ex-factory Price, Revenue, Gross Margin Analysis
8.9.4 Cinema Equipment and Supplies 2016 Theatre Management System Business Region Distribution Analysis
8.10 IMAX
8.10.1 Company Profile
8.10.2 Product Picture and Specifications
8.10.2.1 Product A
8.10.2.2 Product B
8.10.3 IMAX 2016 Theatre Management System Sales, Ex-factory Price, Revenue, Gross Margin Analysis
8.10.4 IMAX 2016 Theatre Management System Business Region Distribution Analysis
8.11 Kinoton Digital Solutions

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Continued…

Contact Us: Sales@Wiseguyreports.Com Ph: +1-646-845-9349 (Us) Ph: +44 208 133 9349 (Uk)

Norah Trent
Wise Guy Consultants Pvt. Ltd.
+1 (339) 368 6938 (US)/+91 841 198 5042 (IND)
email us here


Source: EIN Presswire

福爾摩沙黑犬 THE FORMOSAN BLACKS 暨民眾創作攝影展

press conference for BLACKS

TAIPEI, TAIPEI, TAIWAN, June 8, 2017 /EINPresswire.com/ — 展覽緣起:黑色流浪犬在台灣大眾的印象中,常有著不易親近或兇暴的誤解,更因毛色黑,許多民眾有者偏見與迷信。種種的歧視和攻擊,讓這群毛小孩們面對生存不易、較難被領養的問題,處境更加困難。藉由此次企劃,由台灣動物協會 Animals Taiwan 八隻黑色狗狗所拍攝的攝影作品,希望能讓大家感受到福爾摩沙黑犬各自獨特的個性與魅力。他們就如同其他毛色的狗狗一樣,都是可愛的毛孩子!進而提升大眾對黑狗的認養率,讓他們都有一個溫暖的家!
看見馬路上躺著一隻全身髒兮兮的流浪狗,你會怎麼做?希望本展覧可以提倡各地動物保護組織成員將馬路上的流浪狗帶回細心治療,原本怕人的流浪狗蛻變成健康、愛人抱的快樂狗狗。

透過一個黑色流浪犬的攝影展,藉由民眾創作發揮影響力,將福爾摩沙黑犬的故事,把各地的動物保護組織成員串連起來,投入幫助動物的公益行動;也期望利用創作攝影展降低私自遺棄動物的可能,減少流浪狗的社會議題,以領養代替購買。

福爾摩沙黑犬 THE FORMOSAN BLACKS 暨民眾創作攝影展,希望透過潛移默化的社會改造,利用平實的攝影化解社會的紛岐與誤會,更藉由福爾摩沙黑犬攝影展作為,形成一個平台,讓所有參與展覽的大眾,可以由「福爾摩沙黑犬」得到照顧動物的正確觀念,來作為改善社會對流浪動物對待方式。

攝影師:林青宜(Chin Yi Michelle Lin)
相關報導:http://www.tanews.org.tw/info/11466
展覽地點:中山堂藝文沙龍|台北市延平南路98號4樓(台北市中山堂)
展覽期間:2017.6.1- 6.29
展覽時間:13:00 – 17:00 PM
主辦單位:財團法人台北市樹仁社會福利基金會 & 台灣動物協會 Animals Taiwan&民眾創作
指導單位:台北市中山堂,
特別感謝:台灣動物協會志工,大京藝術志工,國立台北商業大學

Yi Hua Yen
GCA Entertainment Co., Ltd.
886958260861
email us here


Source: EIN Presswire

Actor Omar Gooding Goes to Dallas to Talk about Surviving 25 Years in Hollywood

An Evening with Omar Gooding – Surviving 25 years in the Entertainment Industry!

Omar Gooding Stars in Bounce TV’s “Family Time,” now in its fifth season.

Omar Gooding, a quadruple threat in the entertainment industry, is an actor, rapper, producer, owner of Modo Entertainment TV network.

Real Talk About the Entertainment Industry is Discussed at a Special Event "An Evening with Omar Gooding" at the Hall of State at Fair Park

I want to share my story about the "Hollywood life," auditioning tools and techniques, as well as my personal experiences about the struggle as a black actor while holding on to my moral compass.”

— Omar Gooding, an award-winning actor and NAACP Image Award nominee

DALLAS, TX, USA, June 7, 2017 /EINPresswire.com/ — What does it take to have longevity in the entertainment industry? Actor Omar Gooding will answer this question and many more when he makes a special appearance to discuss his 25-year successful navigation in the entertainment industry at "An Evening with Omar Gooding," on Tuesday, June 13, 2017 at The Hall of State at Fair Park located at 3939 Grand Avenue, Dallas, TX 75210. The free event begins at 7:30 p.m. and ends at 10 p.m. Doors open at 7 p.m.

"I have extensive knowledge on" Hollywood life" as well as ,many auditioning tools and techniques. I will share stories about the struggle in Hollywood as a black actor and an actor, in general,trying to hold on to my moral compass," said Gooding. "I have seen and learned a lot through trial and error."

The community event will give audiences an "up close and personal" look into more than 25 years of Gooding's career in various aspects of the entertainment industry, Gooding has successfully networked with industry leaders in entertainment and television. As the younger brother to an Oscar winner Cuba, Jr. and the son of two entertainers, he has seen the ups and downs of both worlds – music and TV/Film. Growing up as a young successful actor, he has a wealth of experience in the Hollywood industry.

An Evening with Omar includes:
• The art of networking in Hollywood
• Sustaining a 25+ year career in TV and Entertainment.
• Being an influential actor in Hollywood.
• Coming from an award winning family in Entertainment and TV.
• Being a child actor in Hollywood.
• Being a successful actor for multiple generations.

What Attendees Will Take Away from the experience:
• Leadership Qualities
• How to Prepare for the Future
• Networking and Career Building
• Success through Adversity
• Hollywood Stories

A Q&A will follow. Gooding will be available for an autograph session.

Admission and parking is free. Early arrival is recommended. For more information or directions, contact 214.421.4500 or visit http://www.hallofstate.com. This is a media-friendly event.

Gooding grew up in a household of entertainers. He is the son of an African American and Barbadian or " Basian" from Barbados father, Cuba Gooding, Sr., and an African American and Irish mother who were both singers and entertainers. "My dad was the lead singer of the R&B group, "The Main Ingredient," and traveled the world," said Gooding. "My brother Cuba, Jr. took acting classes and was signed to an agent."

Gooding, at ten years old, was sent to his brother's agent’s office to pick up a script. "My life was instantly changed when Cuba's agent the Coralie Jr Theatrical Agency discovered me," he said. "After months of begging my mom, I was allowed to go on an audition." With no prior theatrical training, Gooding landed two auditions in one day and booked one of them.

"The rest, as they say, is history," said Gooding. He has played in memorable roles that are iconic in pop culture and has influenced generations.

Gooding's career took off when he landed a series regular role for three years on a Nickelodeon TV show, “Wild and Crazy Kids," followed by a five-year run on the ABC network series, “Hanging with Mr. Cooper,”and then a three-year run on the WB network series, “Smart Guy.” After years on television, it was a natural progression for Gooding to act in the movies.

"The turning point in my career was when I starred in a major motion picture for Paramount Pictures, “Baby Boy,” opposite Ving Rhames, Tyrese Gibson, Snoop Dogg, and Taraji P. Henson," said Gooding. He received critical praise for his role as "Sweatpea." The movie and TV roles continued for Gooding and he became a household name.

Currently, Gooding plays Tony Stallworth, the star of the highly rated sitcom "Family Time," on Bounce TV, now in its fifth season. He is also a writer and producer on the show. In 2016, Gooding founded and launched Modo Entertainment TV Network in collaboration with One Shot Network and Celebrity Virtual Television Network. The trio of networks airs original programming along with other TV/Film projects on familiar platforms, such as, Google TV; Roku; Apple TV; Amazon Fire TV; and more.

For interviews or booking Gooding for special appearances and speaking engagements, please contact Marie Lemelle for Platinum Star PR at 213-276-7827 or info@platinumstarpr.com. For press credentials, contact Marie Lemelle. On-site event contact is Esmael Modabberi at 214-934-7722.

About Omar Gooding

Omar Gooding, an American actor and producer, is the youngest son of an African American and Barbadian or " Basian" from Barbados father, Cuba Gooding, and an African American and Irish mother who were both singers and entertainers. His recently deceased father was the lead singer of the internationally known R&B group, "The Main Ingredient."

As the younger brother to an Oscar winner Cuba, Jr. and the son of two entertainers,you can say Gooding was born into the world of the entertainment industry.

It all started when his older brother Cuba, Jr. had a dream of being an actor so his mother took the family "on the road" and they settled 5 miles from Hollywood in a town called Toluca Lake. His brother took acting classes and was signed to an agent . At ten, Gooding was sent to his brother's agent’s office to pick up a script, where he was "discovered " by the Coralie Jr Theatrical Agency. After months of begging his mom, Gooding was allowed to go on an audition. With no prior theatrical training, Gooding had two auditions in one day and booked one of them.

The rest is history as Gooding's career spanned more than 25 years in both TV and film.

Gooding become a series regular for three years on a Nickelodeon TV show, “Wild and Crazy Kids,” followed by a five year run on an ABC network series, “Hanging with Mr. Cooper,” and a three-year run on a series for the WB network, “Smart Guy." His next move was in movies. He starred in a major motion picture for Paramount Pictures, “Baby Boy,” opposite Ving Rhames, Tyrese Gibson, Snoop Dogg, and Taraji P. Henson. Gooding received critical praise for his role as Sweatpea.

He has also followed in his father's footsteps musically, as a rapper. Gooding's stage name is "Big O," and he has released an album with a record label in Los Angeles, California.

Gooding is the lead on Bounce TV's “Family Time,” now in its fifth season. He is also a producer and a writer on the popular show.

Marie Lemelle
Platinum Star PR
(213) 276-7827
email us here

Bounce TV’s “Family Time” star Omar Gooding does rapid fire answering as many personal questions as he can in 60 secs!


Source: EIN Presswire

The He-Man/It's Always Sunny Mash-Up You Didn't Know You Needed

neatOco

It’s Always Sunny In Eternia

The Gang Becomes Space Barbarians

IT'S ALWAYS SUNNY IN ETERNIA

LOS ANGELES, CA, UNITED STATES, June 6, 2017 /EINPresswire.com/ — What do you get when you take classic cartoon space barbarians and mix them one of the most popular comedies on cable television? You get an animated web series that is weird and funny and parodies both exclusively on neatOco.

The first episode premieres on the neatOco YouTube Channel on Tuesday, June 6th.

In the pilot episode of It's Always Sunny In Eternia: The Gang Becomes Space Barbarians, we meet the owners of the Grayskull Pub, He-Dennis, Sweet Deela, Mac-At-Arms, Orklie, and Frank RamManolds and their unibrowed arch enemies, The McSkeletors.

You can watch the first episode of It's Always Sunny In Eternia here: https://youtu.be/o2VJv0FuDhk.

Pop Culture gets weird with neatOco. Creators of pop culture content that is unique and funny and wild, neatOco features all of its content for free on the neatOco YouTube Channel.

brian gross
BSG PR
8183404422
email us here

It’s Always Sunny In Eternia: The Gang Becomes Space Barbarians


Source: EIN Presswire

New Book Release – The Womb Rebellion

A Tale of Gynecological Resistance in the Antebellum South

I want readers to understand the power held by the presumed powerless, especially the power that women, even the most oppressed can hold, when they unite in pursuit of a common purpose.”

— p.w. long

PUNTA GORDA, FLORIDA, UNITED STATES, June 5, 2017 /EINPresswire.com/ — The Womb Rebellion, by p.w long, is revolutionary in its ability to compel women to reflect on the importance of asserting their agency regarding the ownership of their bodies, minds, and spirits. The release of The Womb Rebellion on May 20th came shortly after the television release of The Handmaid’s Tale, a dystopian story based on the Margaret Atwood novel of the same name; and shortly before the widescreen release of Wonder Woman.

In this book, a community of enslaved women, inspired by a rebellious young female slave, and led by an enslaved midwife, engage in gynecological resistance to a system in which women were exploited as producers and reproducers.

The Womb Rebellion is the latest in the genre of books and movies related to slavery. It builds on the success of popular films such as “12 Years a Slave” and the best-selling book “The Underground Railroad”.

In writing this book, the author states: "I want readers to understand the power held by the presumed powerless, especially the power that women, even the most oppressed can hold, when they unite in pursuit of a common purpose." This is a debut novel for p.w. long. p.w. long is a pen name. She has written a young adult historical fiction book, and seven non-fiction books on topics ranging from self-help to education policy.

In The Womb Rebellion, the suicide of the rebellious enslaved Ruby changes both the slave quarters and the consciousness of the enslaved women; but mostly forces the enslaved midwife Pearl to face the moral dilemma involved in birthing children who will be condemned to a life of enslavement.

A peaceful Sunday morning on the Bellamy plantation is disrupted by the suicide of the rebellious Ruby, wife of the hated driver Sam. This event throws the plantation into chaos when the spirit of Ruby returns to produce havoc on the plantation. Ruby’s death most affects the midwife who has become her surrogate mother and who struggles with the requirements of the master and pull of her African roots. Pearl, the midwife, must come to terms with what it means to help birth children who will live their lives in bondage. Ruby’s courage and actions lead the women of the quarters in a resistance to producing more slaves for the plantation.

This book looks at the power of those presumed powerless; provides a glimpse into women’s secret knowledge as related to issues of women’s health; and appeals to all those interested in reading about the power of women, American history, and slavery. The Womb Rebellion, published by blue ocean press, is distributed by Ingram and is available in both paperback and e-book formats. It was released on May 20th and is available at brick & mortar bookstores, as well as online on sites such as Amazon and i-tunes.

In reading this novel, readers will join Pearl and the other women on the Bellamy Plantation in The Womb Rebellion, and experience the manifestation of collective Womb Power. p.w. long also facilitates Womb Power© Seminars & Retreats.

For Contacts and Media Kit/Excerpts:
For interviews, please contact: publicity@thewombrebellion.com
Media kit download link The Womb Rebellion Media Kit
For information on p.w. long’s Womb Power© Seminars & Retreats: seminars@wombpower.org
The Womb Rebellion Book Website: http://thewombrebellion.com

###

JCummings
blue ocean publications
email us here
2398342786


Source: EIN Presswire

Bigfoot Project Investments Inc. Announces New Production Contract

BGFT

Company Logo

Pursuit: The Search for Bigfoot

Found Footage Film

Re-Release

The Search For The Truth Throughout The United States – Featured On Fox Business News – New To The Street June 11th at 1 pm Eastern

Bigfoot Project Investments Inc. (OTCMKTS:BGFT)

The $1,000,000 Bigfoot Bounty could be yours.”

— Tom Biscardi

REDWOOD CITY, CA, UNITED STATES, June 5, 2017 /EINPresswire.com/ — Bigfoot Project Investments Inc. has published an 8K to report the signing of a new production contract as well as a re-release of six existing productions.

Bigfoot Project Investments Inc. and The Bosko Group will be working together to re-release and distribute six of the existing productions with new introductions narrated by Tom Biscardi himself. The re-releases will be packaged under the "Biscardi" brand. Bigfoot Lives, Bigfoot Lives 2, Bigfoot Lives 3, In The Shadow of Bigfoot, Hoax of the Century and Anatomy of a Bigfoot Hoax will be repackaged specific to the Biscardi Brand Bigfoot. Pre-order amounts based on historical data from actual distributor sales include 2,500 to 7,500 units per film in Series with unit sales price averaging $5.00. Potential average sales range $30,000 per film.

The new production contract is for a video series illustrating the "Dark and Violent World of Bigfoot". A total of five productions have been contracted and will be produced by Bigfoot Project Investments Inc. and distributed by The Bosko Group. Projected gross sales based on historical data from actual distributor sales is expected to average 40,000 units per film with an average unit price of $5.00, yields $200,000 per film.

Attention: The Bigfoot Project Investments Inc. expedition team is heading back out looking to present the $1,000,000 Bigfoot Bounty for the information leading to the capture of a bona fide creature (Sasquatch/Bigfoot/Yeti/skunk ape). The searching for Bigfoot expedition team is back after a few weeks of much needed RR has started planning there 2017 summer expedition. Target sights have been identified in Arkansas,Texas, Oklahoma, Colorado, Arizona,Virginia, Idaho, and Montana.

If you are in those areas and have had a sighting, call with your sighting or story.

Bigfoot Hotline: 816-442-3394 we would love to come Investigate your sighting with you and maybe hand you the Million dollar for your Proof the creature exists.

Don't miss the next segment on New To The Street. Airing on Fox Business New Sunday, June 11, 2017 at 1 pm Eastern time.

Tommy Biscardi
Bigfoot Project Investments Inc.
6066206667, 8164423394, 8164423364
email us here


Source: EIN Presswire

3D Vision Sensors – Global Industry Size, Share, Trends, Analysis and Forecast 2017 – 2022

Wiseguyreports.Com Adds “3D Vision Sensors Market: Demand, Growth, Opportunities and Analysis of Top Key Player Forecast To 2022” To Its Research Database

PUNE, INDIA, June 2, 2017 /EINPresswire.com/ — Global 3D Vision Sensors Industry

Latest Report on 3D Vision Sensors Market Global Analysis & 2022 Forecast Research Study

In this report, we analyze the 3D Vision Sensors industry from two aspects. One part is about its production and the other part is about its consumption. In terms of its production, we analyze the production, revenue, gross margin of its main manufacturers and the unit price that they offer in different regions from 2012 to 2017. In terms of its consumption, we analyze the consumption volume, consumption value, sale price, import and export in different regions from 2012 to 2017. We also make a prediction of its production and consumption in coming 2017-2022.
At the same time, we classify different 3D Vision Sensors based on their definitions. Upstream raw materials, equipment and downstream consumers analysis is also carried out. What is more, the 3D Vision Sensors industry development trends and marketing channels are analyzed.
Finally, the feasibility of new investment projects is assessed, and overall research conclusions are offered.

Try Sample Report @ https://www.wiseguyreports.com/sample-request/1336615-global-3d-vision-sensors-industry-market-research-2017

The report can answer the following questions:
1. What is the global (North America, South America, Europe, Africa, Middle East, Asia, China, Japan) production, production value, consumption, consumption value, import and export of 3D Vision Sensors?
2. Who are the global key manufacturers of 3D Vision Sensors industry? How are their operating situation (capacity, production, price, cost, gross and revenue)?
3. What are the types and applications of 3D Vision Sensors? What is the market share of each type and application?
4. What are the upstream raw materials and manufacturing equipment of 3D Vision Sensors? What is the manufacturing process of 3D Vision Sensors?
5. Economic impact on 3D Vision Sensors industry and development trend of 3D Vision Sensors industry.
6. What will the 3D Vision Sensors market size and the growth rate be in 2022?
7. What are the key factors driving the global 3D Vision Sensors industry?
8. What are the key market trends impacting the growth of the 3D Vision Sensors market?
9. What are the 3D Vision Sensors market challenges to market growth?
10. What are the 3D Vision Sensors market opportunities and threats faced by the vendors in the global 3D Vision Sensors market?

Objective of Studies:
1. To provide detailed analysis of the market structure along with forecast of the various segments and sub-segments of the global 3D Vision Sensors market.
2. To provide insights about factors affecting the market growth. To analyze the 3D Vision Sensors market based on various factors- price analysis, supply chain analysis, porte five force analysis etc.
3. To provide historical and forecast revenue of the market segments and sub-segments with respect to four main geographies and their countries- North America, Europe, Asia, and Rest of the World.
4. To provide country level analysis of the market with respect to the current market size and future prospective.
5. To provide country level analysis of the market for segment by application, product type and sub-segments.
6. To provide strategic profiling of key players in the market, comprehensively analyzing their core competencies, and drawing a competitive landscape for the market.
7. To track and analyze competitive developments such as joint ventures, strategic alliances, mergers and acquisitions, new product developments, and research and developments in the global 3D Vision Sensors market.

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Some Major Points from Table of content:

1 Industry Overview of 3D Vision Sensors
1.1 Brief Introduction of 3D Vision Sensors
1.1.1 Definition of 3D Vision Sensors
1.1.2 Development of 3D Vision Sensors Industry
1.2 Classification of 3D Vision Sensors
1.2.1 Type One
1.2.2 Type Two
1.2.3 Type Three
1.3 Status of 3D Vision Sensors Industry
1.3.1 Industry Overview of 3D Vision Sensors
1.3.2 Global Major Regions Status of 3D Vision Sensors

2 Industry Chain Analysis of 3D Vision Sensors
2.1 Supply Chain Relationship Analysis of 3D Vision Sensors
2.2 Upstream Major Raw Materials and Price Analysis of 3D Vision Sensors
2.3 Downstream Applications of 3D Vision Sensors
2.3.1 Application 1
2.3.2 Application 2
2.3.3 Application 3

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3 Manufacturing Technology of 3D Vision Sensors
3.1 Development of 3D Vision Sensors Manufacturing Technology
3.2 Manufacturing Process Analysis of 3D Vision Sensors
3.3 Trends of 3D Vision Sensors Manufacturing Technology

4 Major Manufacturers Analysis of 3D Vision Sensors
4.1 Company 1
4.1.1 Company Profile
4.1.2 Product Picture and Specifications
4.1.3 Capacity, Production, Price, Cost, Gross and Revenue
4.1.4 Contact Information
4.2 Company 2
4.2.1 Company Profile
4.2.2 Product Picture and Specifications
4.2.3 Capacity, Production, Price, Cost, Gross and Revenue
4.2.4 Contact Information
4.3 Company 3
4.3.1 Company Profile
4.3.2 Product Picture and Specifications
4.3.3 Capacity, Production, Price, Cost, Gross and Revenue
4.3.4 Contact Information
4.4 Company 4
4.4.1 Company Profile
4.4.2 Product Picture and Specifications
4.4.3 Capacity, Production, Price, Cost, Gross and Revenue
4.4.4 Contact Information
4.5 Company 5
4.5.1 Company Profile
4.5.2 Product Picture and Specifications
4.5.3 Capacity, Production, Price, Cost, Gross and Revenue
4.5.4 Contact Information
4.6 Company 6
4.6.1 Company Profile
4.6.2 Product Picture and Specifications
4.6.3 Capacity, Production, Price, Cost, Gross and Revenue
4.6.4 Contact Information
4.7 Company 7
4.7.1 Company Profile
4.7.2 Product Picture and Specifications
4.7.3 Capacity, Production, Price, Cost, Gross and Revenue
4.7.4 Contact Information
4.8 Company 8
4.8.1 Company Profile

Continued…..

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Source: EIN Presswire