TR MAGAZINE Releases Issue 10 with Hector "Macho" Camacho Jr.

All Hail The Chief! Hector’s Ready to Rumble!

First Historic Sports Athlete Graces the Cover of TR MAGAZINE

I am very excited to feature our very first sports athlete on the cover of TR MAGAZINE. Hector "Macho" Camacho Jr. is a stellar boxer and we'll be rooting him on to his championship victory!”

— Joseph C. Bennett

LINDENWOLD, NEW JERSEY, UNITED STATES, March 31, 2018 /EINPresswire.com/ — TR MAGAZINE Issue 10 releases with a heavy hitter, Hector "Macho" Camacho Jr. Hector was brought to us by way of Clay Dustin of Clay Dustin Public Relations-Promotions and Sports Entertainment. TR MAGAZINE Issue 10 is a Limited Edition, and is now available for purchase and circulation so purchase your copies while they last. Hector is not only the first boxer to be featured in TR MAGAZINE but also the very first sports athlete to grace the cover of TR MAGAZINE.

Issue 10 Featured Artists Include:
Cover Feature Hector "Macho" Camacho, Shelly Skandrani, Alan Bendich, Carlos Solorzano, Frank Lisi, Edge of Paradise, Zak Mir, Isa Nielsen, MC Mixon, Michelle Cobb, Jenny Blain Gostan, Barry DeBaun, Anita Clay, Billy Jo Sewell, Jerry Karnes, Caterina Han, and James Holeva

Let's root Hector on as he prepares for his next big fight in June 2018! Go "Machito"! Drop em!

The TR Committee includes: Joseph C. Bennett, Owner/President, Clay Dustin, Owner of Clay Dustin Public Relations-Promotions and Sports Entertainment, Johnny Potenza, Host of Late Night with Johnny P. (soon to be Up Late with Johnny P. Show) and TR Behind the Scenes Coordinator/ Booker, John Thomas, Owner, JT Talent Enterprises and TR Talent Booker/Events Coordinator, Lead Writer, Nick Christophers, and the host of IndieSceneRadio, Gerg Anidem. Joseph Bennett is particularly excited to announce its newest committee member, Aldo McCoy who will be responsible for a new and very exciting component of TR MAGAZINE. Stay tuned to find out what Aldo will be bringing to TR MAGAZINE.

Special Update: TalentRaters is providing a beautiful printed magazine resource to artists and their family, friends, and fans and it is very important for the magazine to circulate. So much time and effort goes into writing your articles and building your magazines and you are a very important part of the process in helping to circulate your magazines. Therefore, TalentRaters is asking all artists to take pride in their magazine publication and to commit to a 10 printed magazine minimum purchase (12 copies equals free shipping and is only a few dollars more). We do rely on your assistance and support to ensure that this premium publicity opportunity is paid forward to incoming and future artists.

Thank you for your understanding and consideration in this matter.

Joseph Bennett
TalentRaters
8562610329
email us here

Hector Camacho Jr KO’s JD Charles in Round 1


Source: EIN Presswire

Digital Broadcast and Cinematography Cameras Market 2018 : Key Trends, Size, Growth, Shares And Forecast 2023

PUNE, INDIA, March 30, 2018 /EINPresswire.com/ — The report provides a comprehensive analysis of the Digital Broadcast and Cinematography Cameras industry market by types, applications, players and regions. This report also displays the 2013-2023 production, Consumption, revenue, Gross margin, Cost, Gross, market share, CAGR, and Market influencing factors of the Digital Broadcast and Cinematography Cameras industry in USA, EU, China, India, Japan and other regions

Market Analysis by Players: This report includes following top vendors in terms of company basic information, product category, sales (volume), revenue (Million USD), price and gross margin (%).
ARRI
Sony Corp
Panasonic Corp
Grass Valley USA LLC
Hitachi Ltd
Blackmagic Design Pty. Ltd
Canon Inc
JVCKENWOOD
Red.com Inc
Silicon Imaging Inc
Aaton Digital SA

Request a Sample Report @ https://www.wiseguyreports.com/sample-request/3092224-2018-global-digital-broadcast-and-cinematography-cameras-industry-research-report

Market Analysis by Regions: Each geographical region is analyzed as Sales, Market Share (%) by Types & Applications, Production, Consumption, Imports & Exports Analysis, and Consumption Forecast.
USA
Europe
Japan
China
India
Southeast Asia
South America
South Africa
Others

Market Analysis by Types: Each type is studied as Sales, Market Share (%), Revenue (Million USD), Price, Gross Margin and more similar information.
2K
4K
8K
Others

Market Analysis by Applications: Each application is studied as Sales and Market Share (%), Revenue (Million USD), Price, Gross Margin and more similar information.
Cinematography
Live Production
News & Broadcast Production

Table of Content

1 Digital Broadcast and Cinematography Cameras Market Overview
1.1 Product Overview of Digital Broadcast and Cinematography Cameras
1.2 Classification of Digital Broadcast and Cinematography Cameras
1.2.1 Type 1
1.2.2 Type 2
1.2.3 Type 3
1.2.4 Type 4
1.3 Applications of Digital Broadcast and Cinematography Cameras
1.3.1 Application 1
1.3.2 Application 2
1.3.3 Application 3
1.3.4 Application 4
1.4 Global Digital Broadcast and Cinematography Cameras Market Regional Analysis
1.4.1 USA Market Present Situation Analysis
1.4.2 Europe Market Present Situation Analysis
1.4.3 Japan Market Present Situation Analysis
1.4.4 China Market Present Situation Analysis
1.4.5 India Market Present Situation Analysis
1.4.6 Southeast Asia Market Present Situation Analysis
1.4.7 South America Market Present Situation Analysis
1.4.8 South Africa Market Present Situation Analysis
1.5 Digital Broadcast and Cinematography Cameras Industry Development Factors Analysis
1.5.1 Digital Broadcast and Cinematography Cameras Industry Development Opportunities Analysis
1.5.2 Digital Broadcast and Cinematography Cameras Industry Development Challenges Analysis
1.6 Digital Broadcast and Cinematography Cameras Consumer Behavior Analysis

2 Global Digital Broadcast and Cinematography Cameras Competitions by Players
2.1 Global Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Players
2.2 Global Digital Broadcast and Cinematography Cameras Revenue (Million USD) and Share by Players (2017-2018)
2.3 Global Digital Broadcast and Cinematography Cameras Price (USD/Unit) by Players (2017-2018)
2.4 Global Digital Broadcast and Cinematography Cameras Gross Margin by Players (2017-2018)

3 Global Digital Broadcast and Cinematography Cameras Competitions by Types
3.1 Global Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Types
3.2 Global Digital Broadcast and Cinematography Cameras Revenue (Million USD) and Share by Type (2013-2018)
3.3 Global Digital Broadcast and Cinematography Cameras Price (USD/Unit) by Type (2013-2018)
3.4 Global Digital Broadcast and Cinematography Cameras Gross Margin by Type (2013-2018)
3.5 USA Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Type
3.6 China Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Type
3.7 Europe Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Type
3.8 Japan Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Type
3.9 India Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Type
3.10 Southeast Asia Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Type
3.11 South America Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Type
3.12 South Africa Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Type

4 Global Digital Broadcast and Cinematography Cameras Competitions by Applications
4.1 Global Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Applications
4.2 Global Digital Broadcast and Cinematography Cameras Revenue (Million USD) and Share by Applications (2013-2018)
4.3 Global Digital Broadcast and Cinematography Cameras Price (USD/Unit) by Applications (2013-2018)
4.4 Global Digital Broadcast and Cinematography Cameras Gross Margin by Applications (2013-2018)
4.5 USA Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Applications
4.6 China Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Applications
4.7 Europe Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Applications
4.8 Japan Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Applications
4.9 India Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Applications
4.10 Southeast Asia Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Applications
4.11 South America Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Applications
4.12 South Africa Digital Broadcast and Cinematography Cameras Sales (Unit) and Market Share (%) by Applications

5 Global Digital Broadcast and Cinematography Cameras Production Market Analysis by Regions
5.1 Global Digital Broadcast and Cinematography Cameras Production (Unit) and Market Share (%) by Regions
5.1.1 USA Digital Broadcast and Cinematography Cameras Market Production Present Situation Analysis
5.1.2 Europe Digital Broadcast and Cinematography Cameras Market Production Present Situation Analysis
5.1.3 China Digital Broadcast and Cinematography Cameras Market Production Present Situation Analysis
5.1.4 Japan Digital Broadcast and Cinematography Cameras Market Production Present Situation Analysis
5.1.5 India Digital Broadcast and Cinematography Cameras Market Production Present Situation Analysis
5.1.6 Southeast Asia Digital Broadcast and Cinematography Cameras Market Production Present Situation Analysis
5.1.7 South America Digital Broadcast and Cinematography Cameras Market Production Present Situation Analysis

……Continued

Access Complete Report @ https://www.wiseguyreports.com/reports/3092224-2018-global-digital-broadcast-and-cinematography-cameras-industry-research-report

Norah Trent
wiseguyreports
+1 646 845 9349 / +44 208 133 9349
email us here


Source: EIN Presswire

NAB 2018 Marks Trade Show Debut For MAAT

MAAT Incorporated, a manufacturer of exceptional performance professional audio solutions

Visit us in Booth SU2321 for more information

Company demonstrates latest products at NAB 2018 courtesy of The Telos Alliance

LAS VEGAS, NV, US, March 29, 2018 /EINPresswire.com/ — MAAT Incorporated, a manufacturer of exceptional performance professional audio solutions, today announced that DRMeter MkII and RSPhaseShifter will be exhibited and demonstrated at the Telos Alliance booth in the upcoming National Association of Broadcasters convention. DRMeter MkII, an audio plug–in for the measurement and monitoring of audio Loudness and dynamics, will accompany RSPhaseShifter, a plug–in for the alignment of multiple versions of a source when mixing.

The latest product from MAAT, DRMeter MkII premiers several new features for the Loudness metering marketplace, and is the first loudness measurement tool specifically designed for music creation as well as broadcast production and post. Combining high accuracy, R128 and A/85 compliance with display of channel–specific trends, the cross–platform Loudness meter presents both relative and absolute scales simultaneously. DRMeter MkII is also the first plug–in to include the emerging PSR metric, Sample Peak–to–Short–term Loudness Ratio, as well as DRi, an established loudness metric designed to gauge the dynamic contrast of popular music.

Also on demo at NAB, the cross–platform RSPhaseShifter quickly creates a high quality, phase shifted version of a monaural or stereo input, and is designed to better combine multiple feeds during live and remote recordings. Providing a fast, convenient means of aligning individual mix elements for best subjective results, RSPhaseShifter also offers a delta mode to preview isolated audio reflecting only the content that has been altered by signal processing. This extends the application to the control of frequency–dependent stereo spread for M/S workflows in broadcast and post–production applications.

On display at The Telos Alliance’s TV Solutions Group during NAB 2018, both products are available for all major DAWs (Digital Audio Workstations) in AAX, AU, VST2 and VST3 formats. Visit booth SU2321 April 9th through 12th for a hands–on demonstration during the show to see how MAAT speeds everyday workflow chores. Also visit http://www.MAAT.digital on the web for demo downloads, specifications, informational videos and more.

ABOUT MAAT Inc.
MAAT Incorporated is built on the belief that higher accuracy, enhanced workflows and less visual fatigue are hallmarks of better quality. MAAT is derived from “Mastering Academy Audio Tools,” reflecting the deep connection and empirical wisdom gained from years of practical experience. MAAT’s reliance on hard science and focused research, balanced by in–depth listening, redefines audio tools for professionals worldwide.

©2018 MAAT Incorporated. The MAAT logo, DRMeter MkII and RSPhaseShifter are trademarks of MAAT Incorporated. All other company and product names are trademarks of their respective owners.

Oliver Masciarotte
MAAT Inc.
+1 (415) 997-8324
email us here


Source: EIN Presswire

NAMIC ANNOUNCES 2018 BOARD OF DIRECTORS

Chair, NAMIC Board of Directors

Joiava Philpott elected as Board Chair, Welcomes Three New Members from ESPN, HBO and Viacom

NEW YORK, UNITED STATES, March 29, 2018 /EINPresswire.com/ — The National Association for Multi-ethnicity in Communications (NAMIC) today announced Joiava Philpott, vice president, Regulatory Affairs, Law & Policy Department, Cox Communications, as the newly elected board chairperson.

“As NAMIC continues to develop diverse and inclusive practices, we are thrilled to welcome these three outstanding leaders to our Board.” said Philpott, chair, NAMIC National Board of Directors. “The enthusiasm, talent, and expertise that each of our newest board members brings with them will prove invaluable as we move NAMIC’s mission forward.”

Additionally, three new directors join 24 other dedicated executives from throughout the industry. Newly elected board members are:

• Navin Kamath, vice president, Global Distribution, HBO
• Freddy Rolon, Jr., vice president & general manager, ESPN Deportes, ESPN
• Jason T. Williams, vice president, Global Inclusion Strategy, Viacom

The Executive Committee of NAMIC's National Board of Directors is comprised of the following: Chair – Joiava Philpott, vice president, Regulatory Affairs, Law & Policy Department, Cox Communications; Vice-Chair – Kevin Stephens, executive vice president, Business Services, Altice USA; Treasurer – Mark DePietro, senior vice president, Marketing, Vecima Networks; Secretary – Ebonne Ruffins, vice president, Local Media Development, Comcast Corporation; Member at Large – James Anderson, senior vice president, Communications, Turner Broadcasting, Inc; Member at Large – Danielle D. Wade, area vice president, Field Operations, Pacific Northwest, Charter Communications and Immediate Past Chair – Michelle L. Rice, general manager, TV One.

Currently serving as NAMIC National Board directors are: James Brown, executive vice president, Content Distribution, Talent and Marketing Groups, Revolt TV; Ann R. Carlsen, founder and CEO, Carlsen Resources, Inc.; Michael Cooper, vice president, Distribution Marketing, Fox Networks Group; Jay R. Grant, executive vice president & general counsel, Fusion Media Group, Univision Communications, Inc.; P. Sean Gupta, vice president, Strategy & Operations, BET Networks (a Viacom Network); Mark Kang, senior vice president, Worldwide Distribution, INSP TV; Jerold Lambert, group vice president, Legal Affairs, Mediacom Communications Corp; Bill Lee, vice president, Sales Professional Services, ARRIS; Cheryl M. Manley, senior vice president & associate general counsel, Employment Law, Charter Communications; Pragash Pillai, executive vice president, Operations – Optimum Region, Altice USA; Jaime J. Rodriguez, vice president, Business & Legal Affairs, International Distribution, NBCUniversal; K. Dane Snowden, chief operating officer, NCTA; Michelle Strong, senior vice president, Distribution, National Accounts, A+E Networks; Crystal B. Washington, senior vice president, External Relations & Vendor Management, Discovery, Inc.; Lisa Williams-Fauntroy, senior vice president, Business and Legal Affairs, Discovery, Inc.; and Ninoska Zucconi, director, International Audience Development, PGA Tour.

For more information on NAMIC and its Board of Directors, visit www.namic.com or contact the NAMIC National headquarters at 212-594-5985.

ABOUT NAMIC
NAMIC (National Association for Multi-ethnicity in Communications) is the premier organization focusing on multi-cultural diversity, equity and inclusion in the communications industry. More than 3,500 professionals belong to a network of 18 chapters nationwide. Through initiatives that target leadership development, advocacy and empowerment, NAMIC collaborates with industry partners to grow and nurture a workforce that reflects the cultural richness of the populations served.

# # #

Wanita Niehaus
NAMIC
(202) 643-2765
email us here


Source: EIN Presswire

Alexander Golberg Jero Announcing MediaInVision PLC

MediaInVision PLC the new public company of Music and Film Entertainment and Production.

Each individual sound can have its unique location in 3-Dimensional Space”

— Alexander Golberg Jero

NEW YORK, NY, USA, March 29, 2018 /EINPresswire.com/ — MediaInVision PLC is an established, public company in the UK who specialise in the design and development of the High Definition Music Card™, founded and helmed by celebrated music artist Alexander Goldberg Jero.
An exciting new company who are represented in several media markets, MediaInVision PLC is also branching out into film and music production. The company has a range of projects in development and offer a host of specialised services for those involved in music and film production. MediaInVision PLC incorporates a whole host of artists, and has a net worth of 200,000,000 GBP.

Alexander Goldberg Jero is famous for his expertise in surround sound music techniques. He is the very first winner of the popular First Surround Music Awards, he was award for best Composition in 2002. His projects have been endorsed by experts and enthusiasts.

High Definition Music Card™
The High Definition Music Card is a new USB format device for delivering music content that features the latest advancements in surround sound reproduction that compares to no other format in the world.
It can be played on any USB device, including laptops, PC’s, Blu-ray players and more.
The High Definition Music Card is the brainchild of MediaInVision’s founder and managing director, Alexander Goldberg Jero. The composer brings his unique talents to the digital music world with a USB device that harnesses the power of live music. By creating a portable high definition music device, Jero and MediaInVision aim to revolutionise the current music media market.
This new format for listening to music implements full hi-def, surround sound technology. Alexander Goldberg Jero captures the individual elements of compositions and then layers them digitally to create the final piece of music.
This allows for the same kind of precision one is afforded when working with 3D images. Jero works with pieces of music in the same way, but in 3D sound space. The High Definition Music Card is a portable delivery system for this technology.
It contains HD audio streams as well as complementary materials such as artist bios, photos, support software, release information, and links. The card can also be used to store user personalized content like personal pictures, videos, games, and other media.
The HD Music Card represents a new dawn in mass-market. high definition, surround sound audio technology.

The Master and Margarita
The Master and Margarita is a new CGI-animation film venture produced by Alexander Goldberg Jero, and represents a branching out for MediaInVision PLC as they turn their unique talents to new markets.
Also featuring the composing talents of Jero, the film will be a CGI adaptation of the novel by famed Russian author Mikhail Bulgakov. The novel was censored by the Stalinist Soviet regime in Russia and remained on the banned list for thirty years.
Packed with Bulgakov’s biting satirical wit, combined with romance and comedy, The Master and Margarita has been voted Russia’s favourite novel. Now it is being brought to life in a masterful collaboration of digital image and sound by an impassioned artist.
The story concerns a visit by the devil to the officially atheistic Soviet Union. The ‘Master’ is a dying author with an unpublished novel, scorned and victimised by the oppressive bureaucracy of his day. ‘Margarita’ is his mistress who agrees to sell her soul to the devil in return for the power to aid her lover. Many critics consider it to be one of the best novels of the 20th century, as well as the foremost of Soviet satires.
The majority of the film has been financed and is already expected to achieve big things in the film world in the near future.

Surround Records LLC
Surround Records LLC represents a collaboration of performers who work under the composition and leadership of Alexander Goldberg Jero.
Surround Records International Collaboration of Performers frequently work with the Russian Philharmonic Orchestra in creating high definition, surround sound quality recordings of classical compositions.
Available to buy on Amazon for use on the High Definition Music Card, Surround Records LLC has produced high-depth recordings of Mozart’s Requiem, Mahler’s 9th, Beethoven’s Fate, and many more. They continue to bring the classics into the new world by presenting them in high definition, surround sound format.
The combination of Sound Records LLC and the High Definition Music Card makes for a completely novel and eye-opening music experience. Compositions have been given glowing reviews on Audiophile Audition. Particular mention is made of the feeling of being seated right in the middle of the orchestra when listening to the music, thanks to the design of the surround sound technology.

Jero Film Music and Post Production
While venturing into new creative pursuits and far-flung worlds, Alexander Goldberg Jero still employs his craft in the world of post-production.
Available as a consultant for music, video and films, Jero utilises his surround sound expertise in weaving textured compositions to complement existing stories. Jero also offers his skills in post-production for pieces of music that require the guiding hand of a master craftsman.
All clients will be able to use the Music Experience in 3 Dimensional Sound Reality™ trademark on completed projects.

About Alexander Goldberg Jero
Born in Moscow, Goldberg Jero was raised in a classical music environment. He graduated from Moscow Music College and State Academy in 1996, and then moved to New York City, where he studied at the Institute of Audio Research, and the prestigious Parsons School of Design, providing him a solid education upon which to further his career.
He worked with multiple New York artists before moving to Detroit, where he started performing multichannel surround sound techno music, which also took roots from classical music. He is a well-rounded artist, with knowledge that goes from traditional musical approaches to technology, and, of course, soundtracks.
Alexander Goldberg Jero is the founder and Managing Director of both Surround Records LLC and MediaInVision PLC, both of which bring music to the masses in a variety of delightful ways.

Alexander Golberg Jero
MediaInVision PLC
0207 157 9637
email us here

MediaInVision High Definition Music Card


Source: EIN Presswire

The Beekeeper’s Secret – A Max Ford Novel

“Twists and turns abound as Fernandez precisely knits facts with imagination to entertain and to educate in a genuine page-turner too irresistible to put down.”

LOS ANGELES, CA, USA, March 29, 2018 /EINPresswire.com/ — Senator Jeffrey Lance was found dead in the Amazon Rainforest under mysterious circumstances. Years before, holistic doctors throughout the country had also died from shadowy causes. Could they be connected? There was only one answer in the irrepressive mind of Maxine Ford. With the scent of a hound dog, she swings into action as these deaths raise doubts. In hot pursuit, she uncovers some baffling revelations that sends her off to New Mexico to track down a beekeeper. Following a bizarre chain of events, she is thrust into the throes of a far-reaching investigation that looms larger with the introduction of Big PhRMA and the FDA. As it becomes clear that her adversaries are on her trail, you will find Max digging in her stilettos for another nail-biting thriller. Could a beekeeper hold the secret to solving the mystery?
The risks did not deter Max from plunging ahead in her usual no-holds-barred style to uncover the answer. Neither the President, an international-supranational body, nor an assassin at her doorstep, could dissuade her from discovering what was behind the potentially explosive, high-stakes game they were playing.
Fernandez has confected an exciting fictional plot doused with alluring intrigue, while offering the reader a gripping story of a contemporary subject matter. The facts from her precise research added to the stew only underscores the validity of the narrative. Readers will be engrossed in a page-turning plot that provides a visit behind the scenes of a vital subject of current interest.
“Sally has taken another current and controversial subject and delivered an entertaining, compelling and gripping story – this time relating to the much debated health treatments,” noted publisher David Dunham.

• Publication Date: April 10, 2018
• Trade Paperback ISBN: 9780999664629
• eBook ISBN: 9780999664636

About the Author
As a novelist of provocative political thrillers steeped in facts, Fernandez wasn’t always twisting facts with fiction. Heavily endowed with skills acquired in banking, she embarked on her writing career. Her focus on computer technology, business consulting, and project management, enhanced by business and technical writing, proved to be a boon. Her books of fiction also reflect the knowledge garnered from her business experiences, while living in New York City, San Francisco, and Hong Kong. Readers have said she pens riveting plots of intrigue and political awakening, seamlessly blending fact with fiction…or fiction with fact.
Fernandez’ foray into writing fiction officially began in 2007 when the presidential election cycle was in full swing. The overwhelming political spin by the media compelled her to question the frightening possibilities the political scene could generate. As a confirmed political junkie, she took to the keyboard armed with unwinding events and discovered a new and exciting career.
The Beekeeper’s Secret is Fernandez’ sixth novel and the second in the “Max Ford Thriller” series, preceded by Climatized, featuring Maxine Ford as the female protagonist.
As a world traveler, she has visited every continent and over fifty countries. Her adventure travels with her husband include a scientific expedition in Antarctica, four African safaris, archaeological digs in Majorca and Peru, along with high-altitude treks in Bhutan, Tibet, and Mongolia. She and her husband, also the editor-in-residence, continue to travel extensively throughout the world.

About Dunham Books
Dunham Books is a Tennessee-based boutique publisher of general trade books in multiple genres including fiction and non-fiction. For more information go to www.dunhamgroupinc.com

###

Media Contact
Crystal Flores
615-342-0060
crystal@dunhamgroupinc.com

Crystal Flores
Dunham Group Inc
615.342.0600
email us here


Source: EIN Presswire

The Movie Studio (MVES) Pre-Production its Wholly Owned $23 Million Asset

This company could be a great acquisition target for a major in the space.

The Movie Studio, Inc. (OTCMKTS:MVES)

Historically, since 1979, according to BoxOfficeMojo.com horse featured films have grossed an average lifetime gross of $23 million.”

— The Movie Studio, Inc. (OTC Pink: MVES)

MIAMI, FLORIDA, USA, March 28, 2018 /EINPresswire.com/ — (EmergingGrowth.com Newswire) – EmergingGrowth.com, a leading independent small cap media portal with an extensive history of providing unparalleled content for the Emerging Growth markets and companies, reports on The Movie Studio, Inc. (OTC Pink: MVES).

The Movie Studio, Inc. (OTC Pink: MVES) just announced pre-production of two wholly owned intellectual properties “Cause & Effect,” an action thriller and “PEGASUS” a horse power driven family story and the Companies signature film.

Historically, since 1979, according to BoxOfficeMojo.com horse featured films have grossed an average lifetime gross of $23 million.

See the artwork here: http://emerginggrowth.com/wp-content/uploads/2018/03/Image-Pegasus-Poster_FINAL_Preview-1.jpg

If MVES’s signature horse power driven film Pegasus can gross in the average range, it can propel the shares to a new level. – Not even counting “Cause & Effect”.

The company also recently announced the signing of MUHAMMAD ALI, JR. to co-star in the Companies  proposed upcoming feature films “CAUSE AND EFFECT” (a crime-drama) https://www.youtube.com/watch?v=yWlK6HWEm1k&t=16s and “PEGASUS” (a family film for general audiences) currently in pre-production.

Muhammad Ali Jr. will co-star in the studio’s productions with Excelina, Lillie Nicole McCloud, Jean-Pierre DaSilva and other future notable stars. The films are being filmed in Florida, and will be released theatrically, and on The Movie Studio, Inc.’s OTT streaming platform “The Movie Studio Channel”.

“Gordon Scott Venters, President, CEO and Executive Producer of the films commented, “a valuable asset of The Movie Studio is our cast and crew and our inherit belief that, “Talent Makes Content King” and believe that Muhammad Ali, Jr. will be a legacy brand of his Father and will become a champion in film and television stated today.”

The Movie Studio, Inc. (OTC Pink: MVES) through the launch of its new, The Movie Studio Network and movie streaming platform, will stream media from its content aggregator allowing live broadcast and pay per view channels of major networks while allowing a truly uncensored live feed for “red carpet” and “behind-the-scenes” celebrity interview(s) and Movie Studio events.

In addition to its recently announced revenue share with Amazon.com (NASDAQ: AMZN), revenue could be further realized with compatible marketing content and promotions as well as through on demand viewing of the Company’s movies and associated media content.

These new assets which house The Movie Studio, Inc.’s content, will create an access portal for foreign territory distribution that could provide us control of worldwide distribution and could disrupt the current foreign territory model.

The Movie Studio, Inc. intends to further monetize the aggregated assets of the Company, including its own original content as well as previously acquired networks and content from Emerging Media Corporation and Strategic Partners Ethos Media Network utilizing the new OTT platform.  This is in addition to our recently announced Vu-Me App.

As you can see by the chart, historically, when MVES crosses its Exp. moving average, the stock has experienced dramatic upticks.  On February 6th, when we saw the stock rise from .0015 to .0089, or 493% over two trading days before settling in the mid .002’s, and then again on February 21st, 60%.  If it breaks through its average again, we can experience a similar climb.  Furthermore, Stochastics just turned positive, and MVES continues to trade above its support. 

See the chart here: http://emerginggrowth.com/wp-content/uploads/2018/03/2018-03-21_17-45-18.png

Recently, The Movie Studio, Inc. announced that is has begun to monetize its content through a revenue share with Amazon.com as it prepares to launch its proprietary “Vu-Me” app.

Through utilization of Amazon’s (NASDAQ: AMZN), Video on Demand (VOD) platform, The Movie Studio, Inc. will be streaming its bundled motion picture content across Amazon’s Content Delivery Network (CDN) on a revenue share basis.

MVES’s revenue share, subscription based digital media marketing will be accompanied with a “Win A Part” in a movie contest online on The Movie Studio’s website for upcoming Movie Studio feature film releases.

The Movie Studio, Inc., is currently completing its integration of the “Vu-Me” app, of which it will import all of its unique content.  The “Vu-Me” app will serve as a back end “bank” generating an additional revenue stream as a value-added product and will become the centralized mobile “gate” of the Company’s content.

The “Vu-Me” App, once the beta test is completed will be launched as a subscription-based model targeting $2.99 /month or $29.99 /year recurring, with bonuses in the form of The Movie Studio merchandise, including movie posters and t-shirts. MVES could adjust its subscription pricing to accommodate demand and potential.

The company believes, it will be able to magnet, though OTT technology, millions of users to its pay subscription model translating to a significant revenue stream for The Movie Studio, Inc.

Gordon Scott Venters the President and CEO of The Movie Studio, Inc. stated: “Without question the most valuable asset of The Movie Studio is our brand and with our new OTT technology platform supported by numerous verticals that when cross pollinated, and leveraged with our content on a multitude of channels and devices could raise The Movie Studio brand and business model into major independent studio recognition.

MVES could be a Great Acquisition Target:

The Movie Studio, Inc. is positioned to be a great acquisition target for streaming providers that continue to invest billions of dollars in original content. Netflix, Inc. (NASDAQ: NFLX)’s content chief, Ted Sarandos, told Variety in an interview in August that the company “will spend $7 billion to $8 billion on content in 2018.” After successfully launching “Exposure” and “Bad Actress” on Amazon Prime, The Movie Studio, Inc. (OTC Pink: MVES) has a proof of concept and launch pad for further original content distribution.

According to analysts at Statista, the global video streaming market is forecast to see revenues grow from $12.57 billion in 2017 to $18.65 billion by 2022, representing a compound annual growth rate (CAGR) of 8.30%.

Through the acquisition of Emerging Pictures, The Movie Studio, Inc. (OTC Pink: MVES) gained a network of 130 theaters and is working to secure licensing rights to distribute “up to” 1,800 movies in the catalog. This is a major step for the company, in what appears to be a potential parallel to Helios & Matherson’s (NASDAQ: HMNY) MoviePass, however The Movie Studio has access to legacy content, library content or new content “Owned” by The Movie Studio, Inc.

Helios and Matheson Analytics, Inc. (NASDAQ: HMNY): The company, which also owns and operates the popular MoviePass app, utilizes a subscription-based model that allows consumers to see one movie per 24 hours. The technology is available in 91% of the almost 40,000 theaters across the United States.

MoviePass is a relatively similar concept to The Movie Studio, Inc.’s (OTC Pink: MVES) recent acquisition, Emerging Pictures and its ability to deliver commercial-grade video on demand services. The Movie Studio, Inc. (OTC Pink: MVES) now has a network of over 130 theaters in the US, with the rights to distribute over 1,800 movies. As of December 2017, Helios and Matheson Analytics, Inc. (NASDAQ: HMNY) has a market cap of $113.6 million and a share structure consisting of 12.44 million shares outstanding and a float of 5.02 million shares. During the third quarter 2017, the company reported total revenue of $1.17 million and a net loss of $43.46 million.

Overall, The Movie Studio, Inc. (OTC Pink: MVES) could be well positioned to be acquired by one of the larger streaming entertainment companies, as they bolster their budgets in an effort to compete for top original content.

RLJ Entertainment, Inc. (NASDAQ: RLJE): The diversified digital content channel company is engaged within the acquisition, development, production, and distribution of digital content and TV programming. The company operates three main subsidiaries: Proprietary Subscription-Based Digital Channels, Intellectual Property Licensing, and Wholesale Distribution. RLJ Entertainment, Inc. provides original and third party licensed programming to its content channels: Acorn, RLJE Films, Urban Movie Channel, Acacia, and Athena. As of December 2017, RLJ Entertainment, Inc. has a market cap of $53.46 million and a share structure consisting of 14.07 million shares outstanding and a float consisting of 3.43 million shares. During the third quarter, the company reported total revenue of $20.9 million and a net loss of $2.72 million.

Lions Gate Entertainment Corp. (NYSE: LGF): The company operates within the production and distribution of motion pictures, TV programming, home entertainment, and more. Lions Gate Entertainment Corp. operates three main segments: Motion Pictures, Television Production, and Media Networks. Furthermore, the company has become a household name after successful producing “The Hunger Games” series, “La La Land,” “The Expendables,” and the “John Wick” series. Lions Gate Entertainment Corp. has a market cap of $6.39 billion and maintains a share structure consisting of 81.27 million shares outstanding and a float of 67.50 million shares, as of December 2017. During the third quarter 2017, the company reported total revenue of $940 million and net income of $15.5 million.

Twenty-First Century Fox, Inc. (NASDAQ: FOXA): The film and television production giant is responsible for some of the greatest movies of last decades: “Star Wars,” “Independence Day,” “Avatar,” “Home Alone,” “Planet of the Apes” series, and countless others. The company’s television unit also produces some of the most well known shows on TV: “Empire,” “This Is Us,” “Modern Family,” “American Horror Story,” and many more. Twenty-First Century Fox, Inc. has a market cap of $61.53 billion and maintains a share structure consisting of 2.32 billion shares outstanding and a float of 1.04 billion shares, as of December 2017. During the third quarter 2017, Twenty-First Century Fox, Inc. reported total revenue of $7 billion and net income of $855 million.

The Walt Disney Company (NYSE: DIS): The diversified entertainment company operates three main business segments: Media Networks, Parks and Resorts, and Studio Entertainment. Within its Media Network business, The Walt Disney Company operates cable networks, such as ABC, ESPN, Disney Channel, Freeform, and various radio broadcasting outlets. The company’s Studio Entertainment business produces and acquires animated and traditional motion pictures through its well-known subsidiaries: Walt Disney Pictures, Marvel, Lucasfilm, Pixar, and Touchstone. As of December 2017, The Walt Disney Company has a market cap of $157.98 billion and maintains a share structure consisting of 1.51 billion shares outstanding and a float of 1.44 billion shares.

The company has produced numerous original films and content, which has been distributed all over the world. and is now breaking into the upper echelons after the successful release of “Exposure” and “Bad Actress” on Amazon Prime Video.

The recent rise of MoviePass proves that The Movie Studio, Inc. (OTC Pink: MVES) has the ability to succeed, by comparison of their technologies within the motion picture and theater industry. After acquiring Emerging Pictures, The Movies Studio, Inc. (OTC Pink: MVES) now has a network of 130 theaters and the rights to distribute 1,800 movies, procuring management’s vision to be a major player in the commercial-grade video on demand business, while on track to be a major benefactor from the growing streaming video industry.

About EmergingGrowth.com

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All information contained herein as well as on the EmergingGrowth.com website is obtained from sources believed to be reliable but not guaranteed to be accurate or all-inclusive. All material is for informational purposes only, is only the opinion of EmergingGrowth.com and should not be construed as an offer or solicitation to buy or sell securities. The information may include certain forward-looking statements, which may be affected by unforeseen circumstances and / or certain risks.  This report is not without bias. EmergingGrowth.com has motivation by means of either self-marketing or EmergingGrowth.com has been compensated by or for a company or companies discussed in this article. Full details about which can be found in our full disclosure, which can be found here, http://emerginggrowth.com/726886837-2/. Please consult an investment professional before investing in anything viewed within. When EmergingGrowth.com is long shares it will sell those shares. In addition, please make sure you read and understand the Terms of Use, Privacy Policy and the Disclosure posted on the EmergingGrowth.com website.

Emerging Growth Staff
EmergingGrowth.com
305-330-1985
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Source: EIN Presswire

What is Social Power today?

Ziggurat Front Cover

Ziggurat, the Age of Total Dominion by Bob Mazzei and Jeff Lowe

Punkia.com prides on featuring Ziggurat – The Age of Total Dominion by Bob Mazzei e Jeff Lowe

Freedom smiles but we have no eyes!”

— Bob Mazzei

LONDON, GREATER LONDON, UNITED KINGDOM, March 27, 2018 /EINPresswire.com/ — Punkia.com, aka The Land of Plenty, is a fresh satirical blog with a special inclination for clever social insights! At Punkia, we delight in mocking at the most contradictory issues of our time.

Sarcasm, along with a good store of awareness, is the sauce of our content.

We are very fond of Rock and Roll and so we welcome music, poetry, philosophical topics, comics and all outstanding and funny stuff that is worth to be featured. Contact us, there's room for you too!

Good old Rock music means liberation and happiness without ever falling off in banality, that’s our thread. We are fed up with dull junk put together by copying hither and thither, not to mention those magical recipes we’re being given by marketing gurus, politicians & Co. As if something changed without changing this ruthless social status quo.

So, here we go with something that’s a perfect fit for our publishing line. A real pattern, indeed!

Meet “Ziggurat – the Age of Total Dominion,” a smart e-book Bob Mazzei and Jeff Lowe published in 2014.

It deals with a crucial point of our era, "What is Social Power today?" We can’t but perceive it as excessive and boundless. So oppressive to pave the way for the age of total dominion. However, while we are impotent before such an extreme tyranny, freedom is there a stone's throw from us.

Our world cannot be explained by senseless and lame conspiracy theories, nor can it be understood by blaming individuals because of their greed and mean behavior. Social conditions create individuals conscience, never the contrary. Consequently, we are the only ones who can liberate ourselves. No entity from outside this world will ever set us free.

Although this book apparently sounds dominated by a sense of grief because of our impotence before things that we are not able to master, not only does it allow for our complete emancipation, it also deals with a series of humorous situations to remind us that we are never to take ourselves too seriously.

About the authors

Bob Mazzei, aka Dangerous Bob, was a lively youth of 50, when the book was published. Now, he is a kid of 53 setting up to the tender age of 54. He lives in Europe, always up and down the continent yet not neglecting to drop in at the beloved Land of the Rose. Although he doesn’t see himself at ease in a capitalist society, he hasn’t managed to find another suitable planet in the vicinity to be hanging out. According to him, the sucking trouble with searching for a livable spot in the universe is, “There is no chocolate for sale outside the planet Earth, let alone some good wine, damn!” Thus, he is forced to put all he has studied into engineering, philosophy and economics to make his ends meet. Apparently, he must thank his lucky star for specializing in agro-economics, IT and digital marketing; at least, he can eke out a living!

Jeff Lowe, aka Jeff the Terrible, was 590 years old (yes, 590!!) by the time the book was issued. Soon he is going to be 630 (please, don’t ask; the way time goes by in his biosphere is pretty different from the world of ordinary mortals). Jeff is a respected seedsman and has an acute knowledge of agri-business practices and markets. He has been sailing across so many seas and fighting against so many sharks. He is a man of big challenges and very keen on history. Jeff lives on the ground floor of the United States and realized a very long time ago that capitalism was a short-term practice. He is an opponent of the Neostance groups, namely those who think that placing the prefix neo- before a word is enough to make things change. Jeff is definitely not an admirer of those who put greed before life, liberty, and the pursuit of happiness.

As a roundup of the topics you find in this brilliant novel we point out: Rock music, Arts, Economics, Politics, Poetry, Literature, History, and a significant amount of Humor!!

Plot summary

Individuals are tools of production and consumption, relentlessly looking for pleasure that never comes. Their same “self” vanishes while attempting to fill up the emptiness of their existences completely dehumanized and possessed by the totalitarian law of profit. Neither old nor new values will never appease their plight while the social regime remains unaltered. Until the social room we all occupy is humanized, there is no chance for humans to finally be born. We’ll keep being oppressed by the ruthless Leviathan, no matter if it disguises itself with the reassuring forms of civil rights and democracy.

Democracy is not an alternative to totalitarianism; it is just one of the faces of dominion. It is nothing more than a good system to produce goods and accumulate wealth under peculiar circumstances. There’s nothing left out of the iron grasp by Capital, its domination spreads from end to end across our entire world and place in the universe. The law of profit allows no option, it is despotic, and it appropriates of everybody and everything. It moves the individuals according to the invisible, yet overbearing and unstoppable, hand of necessity.

Therefore, the search for humanization and liberation of all Humankind goes necessarily through overcoming the actual social regime, for a world without social classes, money, trade, politics and power. The entire novel plays and rocks between reality and dream, and yet fantasy and actuality melt and confuse one another. One thing is Chimera, another is Utopia, but most of all, it’s all happening now, right now in front of each and every one of us while we’re wide awake… Or, wait… we’re probably sleeping.

Title: Ziggurat, The Age of Total Dominion

by Bob Mazzei and Jeff Lowe

ISBN (ePub): 9781456622473

Published in eBook format by eBookIt.com on June 23rd 2014

Genre: FICTION / Dystopian

Available on: Amazon, Barnes & Noble, Google eBooks, iTunes, Kobo, Baker & Taylor, Ingram Digital

Bob Mazzei
Sienda ltd
2032399375
email us here

economics, war, social power, poverty, society,


Source: EIN Presswire

'Max Ford' Female Spy Thriller in Developement as Movie

LOS ANGELES, USA, March 27, 2018 /EINPresswire.com/ — FOR IMMEDIATE RELEASE

THE DUNHAM GROUP TAPS WRITERS NOAM DROMI AND EVAN GREENE TO ADAPT SALLY FERNANDEZ’S CLIMATIZED NOVEL

LOS ANGELES, CALIFORNIA (March 27, 2018)  The Dunham Group has tapped writer/producer Noam Dromi and Evan Greene to develop MAX FORD, a multi-film franchise adapted from Climatized, the latest novel by acclaimed author Sally Fernandez.
The riveting story follows loner and former CIA agent Max Ford across the globe as she is plunged into an international conspiracy led by a shadow organization whose influence reaches the highest levels of our government.
Los Angeles-based Dromi and Greene last collaborated on War Within The Cartel, a live action prequel to Wildlands, Ubisoft's latest release in the billion-dollar Ghost Recon game franchise, which Greene wrote and Dromi produced. Dromi, the co-writer of the 2011 Warner Bros/Alcon Entertainment franchise Dolphin Tale, most recently produced the Walking Dead digital spinoff series Red Machete. In addition to his work as a screenwriter, Greene is also the Chief Marketing Officer for the Recording Academy, the organization responsible for the GRAMMYs.
Max Ford will be produced by The Dunham Group in association with award-winning, Los Angeles-based Legion of Creatives, with an eye toward building Max Ford into an espionage action franchise around its protagonist character in the spirit of the Jason Bourne series. Legion of Creatives CEO Jay Williams and John Gado will also produce with Dromi and Greene. Climatized author Sally Fernandez and her editor/husband Joe Fernandez will serve as executive producers with The Dunham Group CEO David Dunham.

About The Dunham Group
The Dunham Group is a publishing and development company that partners with established producers, writers and production companies throughout the international marketplace, bringing the literary properties of best-selling authors for feature film, TV and transmedia development.

About Sally Fernandez
As a novelist of provocative political thrillers steeped in facts, Fernandez wasn’t always twisting facts with fiction. Heavily endowed with skills acquired in banking, she embarked on her writing career. Her focus on computer technology, business consulting, and project management, enhanced by business and technical writing, proved to be a boon. Her books of fiction also reflect the knowledge garnered from her business experiences, while living in New York City, San Francisco, and Hong Kong. Readers have said she pens riveting plots of intrigue and political awakening, seamlessly blending fact with fiction… or fiction with fact.

Fernandez’ foray into writing fiction officially began in 2007 when the presidential election cycle was in full swing. She has just completed her sixth novel, The Beekeeper’s Secretthe second in The Max Ford Series. Her adventure travels with her husband include a scientific expedition in Antarctica, four African safaris, archaeological digs in Majorca and Peru, along with high-altitude treks in Bhutan, Tibet, and Mongolia.

About Legion of Creatives
Legion of Creatives (LOC) is an immersive content studio working with the world's leading storytellers. Recognized as a market leader in multi-platform narrative programming, LOC's principals won the first ever Primetime Creative Arts Emmy award for virtual reality storytelling in 2015. The company has brought together some of the best writers, producers, creators and consumer brands in entertainment to launch a global media business that will create, own and distribute premium programming tailor-made for today's digital and mobile natives. LOC's business and production model disrupts traditional media's current approach to producing and distributing alternative content formats through the use of proprietary technology, digital strategy and integrated marketing expertise. Legion of Creatives was founded by former Walt Disney Company Executive and President of K.O. Paper Products Jay Williams, and Digital Guru/Writer/Producer Noam Dromi.

Media Contact
Crystal Flores
615.342-0600
crystal@dunhamgroupinc.com

Crystal Flores
Dunham Group Inc
615.342.0600
email us here


Source: EIN Presswire

Country Legend, Alt-Rock Guitarist Win At LA Music Video Awards; Nashville Artist Nabs IMDB-Sanctioned Nomination

Margie Singleton and JJ McGuigan are among the winners of the LA Music Video Awards. Jeremy Parsons is nominated for the Monkey Bread Tree Film Awards.

We thank the LA Music Video Awards and the fans that voted for our artists. Congrats to all of the winners, and congrats Jeremy on the prestigious nomination!”

— Michael Stover, MTS Management Group

LOS ANGELES, CA, UNITED STATES, March 26, 2018 /EINPresswire.com/ — MTS Management Group is happy to announce legendary country singer-songwriter, Margie Singleton and Wichita, Kansas alt-rock songwriter/guitarist, JJ McGuigan were named winners in the 2018 La Music Video Awards. Ms. Singleton won Best Performance Video, "Jesus Is My Pusher," and Mr. McGuigan won Best Lyric Video for "In All Honesty." Former MTS artist, Cherish Lee was also a winner, for Best Country Video, "Tequila Cowgirl." The winners were announced this past weekend at a ceremony held in Los Angeles. A complete list of winners is available at https://www.facebook.com/LAMusicVideoAwards/.

Another current MTS artist, Nashville singer-songwriter, Jeremy Parsons has been nominated in the IMDB-sanctioned Monkey Bread Tree Film Awards, based in the UK. Jeremy's video for "Burn This House Down" has been nominated in the Music Video categories. The winners will be announced later this month.

"This is so exciting!" said Michael Stover, MTS President. "We thank the LA Music Video Awards and the fans that voted for our artists. It's really a surprise. There were alot of terrific videos up for the awards, and to walk away with three of them is really incredible. So happy for our clients, past and current. Congrats to all of the winners, and congrats Jeremy on the prestigious nomination!"

Margie Singleton "Jesus Is My Pusher" https://www.youtube.com/watch?v=UeJgy2rJnFI
JJ Mcguigan "In All Honesty" https://www.youtube.com/watch?v=3Ir7LSWtS_Y
Cherish Lee "Tequila Cowgirl" https://www.youtube.com/watch?v=XcxXNyB6rTQ
Jeremy Parsons "Burn This House Down" https://www.youtube.com/watch?v=pujS2RNU3PY

ABOUT LA MUSIC VIDEO AWARDS: In an age where looks and presentation are everything, the music video is almost as important as the song itself. The LA Music Video Awards recognizes the best music videos from this past year. https://lamusicvideoawards.net/

ABOUT THE MONKEY BREAD TREE FILM AWARDS: The term 'by filmmakers for filmmakers' is perhaps overused these days, but it is where our film awards began. After producing several short and feature films, entering various festivals/awards bodies, and serving as a judge for TMFF, our festival director (Ben Rider) wanted to get involved in encouraging new filmmakers, engaging with independent film production and the promotion of it in more detail. http://themonkeybreadtree.com

Michael Stover
MTS Management Group
4124455282
email us here

Jeremy Parsons – Burn THis House Down


Source: EIN Presswire